Then came the whole catechism over again; Had I slept? Was I rested? Did my wound still burn? Had that fire-eating weasel of mine been well cared for? And so on for a score of questions, all so kindly, so genial, so courteous, that I would have been a Flemish clod indeed to have cut them short.
But at last he asked:
"Now, what can I do for you?"
"Give me leave to pass the gates."
"What! You want fresh adventures?" he answered gaily, "then we must go to the captain."
He, it seemed, was on guard at the west gate, and there the comedy played itself for another half-hour. If his cordiality was colder, it was because age, in grizzling his beard, had chilled his exuberance, but it seemed none the less sincere. I must breakfast with him. What? I had breakfasted? Then I must try the King's wine, and for ten minutes we talked vintages, the thing, next to women and their own doings, on which men love best to gossip. Then, at last, came the belated request.
"So, so, Monsieur Hellewyl? But for that we we must go to the Governor."
"Dame," said I pettishly. "It seems as hard for a man to get out of the Louvre as for most to get in."
"You are wrong," he answered, looking me straight in the eyes; "a simple word does it, Monsieur; one word, a simple promise."
It was then, so drily significant was the tone, that I began to understand the dance I was being led. Monsieur de Commines had no intention that I should leave the Louvre. No doubt the Governor would have to appeal to the Chancellor, the Chancellor to the King, and the King was at Plessis les Tours. Or it might be they would refer the momentous question to Monseigneur himself! Was he not the King's Commissioner? To play the comedy further would be to play the fool.