To the quiet little vicarage at Widdleswick came a few short letters, bearing strange foreign stamps, and posted at Gibraltar, at Brindisi, at Port Said, and later handed over to us as his literary executors. They told, simply and modestly, of his hopes and fears, his ship mates and their ways, and in one he spoke of his plans for a sequel to The Oxford Circus, itself only completed a very few days before sailing. But it was not to be: dis, as he himself had said with reference to his University career, aliter visum.… For during the always trying passage of the Red Sea, poor Alfred disappeared. He supped, but did not take his place for breakfast. Neither his fellow-passengers nor the captain nor the crew could throw any light on his whereabouts, and it was presumed that he had fallen overboard in the darkness. They further presumed that his fall had been accidental.
Alfred Budd is dead. His readers will be at one with us in regarding his loss as a grave one to English letters. He despised coteries and disliked cliques. He was an honest workman of literature, using none but sound materials, none but well-established models. For its wit, its photographic realism and its daring originality, The Oxford Circus is a first novel of which any publisher might be proud. Its sparkling epigrams, and its vivid portrayal of life in many different strata of our modern society, seem almost unexpected from one who lived so quietly as Mr. Budd. Yet somehow his originality of invention leaves no room for doubt: Budd was perhaps the first novelist to introduce the London and North Western Railway station into a novel of Oxford life. Such a writer had no mean future.
Here and there, in preparing Alfred’s MSS. for the press, we have detected discrepancies which, had he lived, he might have adjusted, subtle touches which he might have amplified, luxuriances which he might have pruned. In respect to his memory, however, we have let these stand. If we have done wrong, we look for pardon from those who remember that, where an old and very deep friendship is concerned, the task of literary execution is no easy one.
H. M.
R. M.
BOOK I
VORTEX
THE OXFORD CIRCUS
CHAPTER I
INTROIT
“But I must have a hansom!”