The three men in control of the reorganized firm of Harper and Bros., George Harvey, Frederick Duneka and Frank Leigh, all professed a firm belief in The Captain of the Gray Horse Troop, and promised me such a boost as I had never had. This promise they set about to fulfill.
As the day of publication came on they took generous squares of space in the daily papers, and whole pages in the magazines. They astonished and somewhat daunted me by putting an almost life-size portrait on the bill boards of all the elevated roads, and then to the consternation of my wife, The Weekly published a full page reproduction of her photograph, a portrait which they had obtained from me to use, as I supposed, in the ordinary way in the literary column of the Sunday papers. I had no idea of its being a full page illustration. I was troubled and uneasy about this for a day or two, but realizing that the firm was doing its best to make my book known to the public, I could not with justice complain. In truth the use of the portrait seemed not to make any difference one way or the other. It certainly did Zulime no harm.
At my request the firm made up a very handsome special copy of the novel which I sent to President Roosevelt, with a word of explanation concerning the purpose which underlaid the writing of the tale.
Early in March the book appeared with everything in its favor. True there was opportunity for controversy in its delineation of aggressive cattlemen, but those who had so bitterly criticized my pictures of the prairie life in Main Traveled Roads, were off their guard with respect of the mountains. My reviewers quite generally accepted the novel as a truthful presentation of life on an Indian reservation in the nineties. Furthermore my sympathetic interpretation of the Army's attitude toward the red men caused the story to be quite generally commended by the officers. This surprised and delighted me, but I was especially gratified by Roosevelt's hearty praise of it. "It is your best work so far," he wrote me, "and I am in full sympathy with your position."
Requests for stories, interviews, articles and biographical notes, flowed in upon me. It really looked like a late second arrival of Hamlin Garland. Not since the excitement of putting Main Traveled Roads on the market had I been so hopeful and in the midst of my other honors came a note from the President, inviting me to visit him, and with it a card to a musicale at the White House.
Life in the East as the reader can see, was very alluring to Zulime as well as to me, and though as April came on, we both felt the call of the West, I am not sure whether we would have wrought our courage to the point of deserting our little apartment on Fifteenth Street, had it not been for the President's invitation, which was in effect a command, an honor as well as a pleasure, which we did not think of disregarding.
As I had not voted the Republican ticket and had no political standing with the Administration, this invitation was personal. It came from Roosevelt as a friend and fellow-trailer—a fact which enhanced its value to me. We began at once to plan our return to Chicago in such wise that it would include a week in Washington, which we had not visited since our wedding journey.
It must have been about this time that the Annual Meeting of the Institute took place. I recall Howells presiding with timidity and very evident embarrassment when it came to the duty of putting certain resolutions to vote. He seemed sad and old that night—indeed as I looked around the table, I was startled to find how many of the men I had considered "among the younger writers" were gray and haggard. Mabie, Page, Hopkinson Smith, Gilder and Stedman—all were older than I had remembered them. Edward MacDowell, who was sitting beside me, remarked upon the change, and I replied, "Yes, you and I are young only by contrast. To Frank Norris and Stewart White, we are already veterans."
[That was twenty years ago, and I am three score years and more, and most of those who dined with me that night are in their graves, only Page, of all the group, is left. Another generation altogether is on the stage whilst I and Stewart White are grouped together as "older men." I am seeing literary history made whether I am credited with making any of it, myself, or not. At times I have an appalling sense of the onward sweep of the years. Are they carrying us to higher grounds in fiction and in other arts, or are they descending to lower levels of motive and workmanship?]
It was glorious spring when we reached Washington, and in the glow of my momentary sense of triumph we went to one of the best hotels and enjoyed for the moment the sense of being successful and luxurious folk.