The papers at once wired me for tributes, and these I gave, gladly, and later when one of the magazines paid me for an article, I used the money in the purchase of a tall clock to serve as a memorial. This time-piece stands in the hall of my city home and every time I pass it I am reminded of the fine free spirit of Frank Norris. In my small corner of the world he remains a vital memory.
All through October I wrote on my novel, but as the dark days of autumn came on, I began as usual to dwell upon my interests in the city and not even Zulime's companionship could keep me from a feeling of restlessness. I longed for literary comradeship. Theoretically my native village was an ideal place in which to write, actually it sapped me and after a few weeks depressed me. With no literary "atmosphere," damnable word, I looked away to New York for stimulus. I did not go so far as one of my friends who declined to have anything to do with his relatives simply because he did not like them, but I clearly recognized that my friends in the city meant more to me than any of my Wisconsin neighbors and it became more and more evident that to make and keep an arbitrary residence in a region which did not in itself stimulate or satisfy me, was a mistake. There was nothing to do in West Salem but write.
Above all other considerations, however, I had a feeling, perhaps it was a mistaken one,—that my powers grew in proportion as I went Eastward. In West Salem I was merely an amateur gardener, living a life which approached the vegetable,—so far as external action went. In Chicago I was a perversity, a man of mis-directed energy. In New York I was, at least respected as a writer.
In short New York allured me as London allures the writers of England, and as Paris attracts the artists of Europe. It was my literary capital. Theoretically I belonged to Wisconsin, as Hardy belonged to Wessex or Barrie to Scotland, actually my happiest home was adjacent to Madison Square. Only as I neared the publishing centers did I feel the slightest confidence in the future. This increased sense of importance may have been based upon an illusion but it was a very real emotion nevertheless.
Why should I not feel this? From my village home, from digging potatoes and doing carpenter work, I went (almost directly) to a luncheon at the White House, and the following night I attended a dinner given to Mark Twain on his sixty-seventh birthday with William Dean Howells, Thomas B. Reed, Wayne McVeagh, Brander Matthews, H. H. Rogers, George Harvey, Pierpont Morgan, Hamilton Wright Mabie and a dozen others who were leaders in their chosen work, as my table mates. Perhaps I was not deserving of these honors—I'm not urging that point—I am merely stating the facts which made my home in West Salem seem remote and lonely to me. Acknowledging myself a weak mortal I could not entirely forego the honors which the East seemed willing to bestow, and as father was in good health with a household of his own, I felt free to spend the entire winter in New York. For the first time in many years, I felt relieved of anxiety for those left behind.
New York was in the worst of its subway upheaval when we landed there, but having secured a small furnished apartment in a new but obscure hotel on Forty-seventh street, Zulime and I settled down for the winter. Our tiny three-room suite (a lovely nest for a woman) was not in the least like a home for an old trailer and corn-husker like myself. Its gas log and gimcrack mantel, its "Mission" furniture and its "new art" rugs were all of hopeless artificiality, but our sitting-room (on the quiet side of the building) received the sun, and there on the lid of a small desk I took up and carried forward the story of Hesper which my publishers had asked me to prepare for the spring trade.
Before we had time to unpack, a note came from President Roosevelt asking me to return to Washington to confer on a phase of the Indian service with which I was familiar, and I went at once—glad to be of any service—especially an unofficial service.
It was always a pleasure as well as an honor to meet Roosevelt. He was our first literary president. His esthetic interests were not only keen, but discriminating. He knew what each of us had published, and valued each of us for the particular contributions we were making to American literature. Each of us gave him something—in my case it was a knowledge of the West. Notwithstanding the multiple duties of his office, he put aside a part of each day for reading and when he read, he concentrated upon his page with such intensity that he remembered all that was important in the writing.
He knew the masters in the other arts also. If he had a problem in architecture or medaling or painting to decide, he went to Mead or St. Gaudens, or Blashfield. Under his administration the White House had resumed its fine colonial character. At his direction Mead and McKim had restored it to the noble simplicity of Madison's time. They had cleared out the business offices and removed the absurd mixture of political machinery and household furniture which had accumulated under the rule of his predecessors, most of whom (coming from small inland towns) knew nothing of any art but government, and in some cases not too much of that. On this particular visit I recall the fact that repairs were going on, for the President invited me to take luncheon with his family, and we ate in a small room on the front of the house for the reason that the dining-room was in process of being restored and the howl of the floor polisher was resounding through the hall.
It may interest the reader to know that while my wife and I occasionally lunched or dined with "the choice ones of the earth," we prudently practiced "light housekeeping" between our splendid feasts. Like a brown-bearded Santa Claus I often ran the gauntlet of the elevator boy with pockets bulging bottles of milk, hunks of cheese, hot muffins, and pats of butter, and frequently, when the weather was bad, or when some one had neglected to invite us out, we supped in our room.