Chicago did not offer much by way of magnificence but Mary Isabel made the most of what we took her to see. The gold room of the hotel was a part of her imaginary kingdom, conceivably the home of royalty. Standing timidly at the door, she surveyed the golden chairs, the gorgeous ceiling and the deep-toned pictures with a gaze which absorbed every detail. At last she whispered, "Is this the Queen's room?"

"Yes," I replied. "If the Queen should come to Chicago she would live here," and I comforted myself by saying, "You shall have your hour of wonder and romance, even at the expense of a prevarication."

With a sigh she turned away, or rather permitted me to lead her away. "I'm glad I saw it," she said. "Will the Queen ever come to Chicago again?"

"Yes, next spring she will come again," I answered, thus feeding her illusion without a moment's hesitation or a particle of remorse.

Her love of royal robes, gold chariots and Queens' houses did not prevent her from listening with deep delight while I read Jock Johnstone, the Tinkler Lad, or sang O'er the Hills In Legions, Boys. She loved most of the songs I was accustomed to sing but certain of the lines vaguely distressed her. She could not endure the pathos of Nellie Gray.

"Oh, my poor Nellie Gray
They have taken you away
And I'll never see my darling any more"

put her into deepest anguish.

"Why did they take her away?" she sobbed. "Didn't they ever see her any more?"

Only after I explained that they met "down the river" and were very happy ever afterward, would she permit me to finish the ballad. She was similarly troubled by the words,

"I can hear the children calling
I can see their sad tears falling."