My father came down from West Salem to see this second granddaughter, and on the whole, approved of her, although his tenderest interest, like mine, remained with Mary Isabel, who was now old enough to walk and talk with him. To watch her trotting along the street with that white-haired warrior, her small hand linked with his, was to gain a deeply moving sense of the continuity of life. How slender the link between the generations appears in such a case!
Nothing, not even the birth of a new grandchild, could divert my father from his accustomed round of city sight-seeing. As in other times, so now he again demanded to be shown the Stockyards, the Wheat Pit, the Masonic Temple and Lincoln Park. I groaned but I consented.
It happened that Ira Morris, one of the owners of the Stockyards, was an acquaintance, and the courtesy and attentions which were shown us gave the old farmer immense satisfaction—and when he found that Frank Logan, of "Logan & Bryan," (a Commission firm to which he had been wont to send his wheat) was also my friend, he began to find in my Chicago life certain compensating particulars, especially as in his presence I assumed a prosperity I did not possess.
On paper I sounded fairly well. I was one of the vice-presidents of the National Institute of Arts and Letters. I had a "Town house" as well as a "country place," and under cover of the fact that very few of my friends had ever inspected both properties, I was able in some degree to camouflage my situation. In the city I alluded casually to "my Wisconsin Homestead," and when in West Salem I referred with quiet affluence to "my residence in Woodlawn." Explaining that it was a three story house I passed lightly over the fact that it was only eighteen feet wide! Similarly, in speaking of "our country home" I did not explain to all my friends that it was merely an ugly old farmhouse on the edge of a commonplace village. I stated the truth in each case but not the whole truth.
If my city friend, Charles Hutchinson, imagined me spending my summers in a noble mansion on the bank of a shining river it was not my duty to shock him by declaring that there was no water in sight and that my garden was only a truck patch. On the other hand, if my neighbors in West Salem thought of me as living in a handsome brick mansion in Chicago, and writing my stories in a spacious study walled with books, I was not obliged to undeceive them.
Fuller, alas! knew all the facts in both cases, and so did Ernest Seton, who had visited us in the country as well as in our city home. Fuller not only knew the ins and outs of my houses; he was also aware that my royalties were dwindling and that my wife was forced to get along with one servant and that we used the street cars habitually.
Being president of the Cliff Dwellers was an honor, but the distinction carried with it something of the responsibility of a hotel-keeper as well as the duties of a lecture agent, for one of our methods in building up attendance at the Club, was to announce special luncheons in honor of distinguished visitors from abroad, and the task of arranging these meetings fell usually to me. In truth, the activities of the club took a large part of my time and carried a serious distraction from my work, but I welcomed the diversion, and was more content in my Chicago residence than I had been for several years.
Whenever I spoke to Zulime of my failure as a money-getter she loyally declared herself rich in what I had given her, although she still rode to grand dinners in the elevated trains, carrying her slippers in a bag. It was her patient industry, her cheerful acceptance of endless household drudgery which kept me clear of self-conceit. I began to suspect that I would never be able to furnish her with a better home than that which we already owned, and this suspicion sometimes robbed me of rest.
This may seem to some of my readers an unworthy admission on the part of a man of letters but it is a perfectly natural and in a sense, logical result of my close associations with several of the most successful writers and artists of my day. It was inevitable that while contrasting my home with theirs, I should occasionally fall into moods of self-disparagement, almost of despair.
To see my wife (whom everybody admired) wearing thread-bare cloaks and home-made gowns, to watch her making the best of our crowded little dining-room with its pitiful furniture and its sparse silver, were constant humiliations, an accusation which embittered me especially as I saw no prospect of ever providing anything more worthy of her care.