Such a man did develop, but not until William was over sixty, gray-haired and ill, and even then it took two strong men to engage him fully, and when it was all over (the contest filled but a few seconds), one assailant could not be found, and the other had to call in a doctor to piece him together again.

William did not have a mark—his troubles began when he went home to his quaint little old wife. In some strange way she divined that he had been fighting, and soon drew the story from him. "William McClintock," said she severely, "hain't you old enough to keep your temper and not go brawling around like that and at a school meeting too!"

William hung his head. "Well, I dunno!—I suppose my dyspepsy has made me kind o' irritable," he said by way of apology.

My father was the historian of most of these exploits on the part of his brothers-in-law, for he loved to exalt their physical prowess at the same time that he deplored their lack of enterprise and system. Certain of their traits he understood well. Others he was never able to comprehend, and I am not sure that they ever quite understood themselves.

A deep vein of poetry, of sub-conscious celtic sadness, ran through them all. It was associated with their love of music and was wordless. Only hints of this endowment came out now and again, and to the day of his death my father continued to express perplexity, and a kind of irritation at the curious combination of bitterness and sweetness, sloth and tremendous energy, slovenliness and exaltation which made Hugh McClintock and his sons the jest and the admiration of those who knew them best.

Undoubtedly to the Elwells and Dudleys, as to most of their definite, practical, orderly and successful New England neighbors, my uncles were merely a good-natured, easy-going lot of "fiddlers," but to me as I grew old enough to understand them, they became a group of potential poets, bards and dreamers, inarticulate and moody. They fell easily into somber silence. Even Frank, the most boisterous and outspoken of them all, could be thrown into sudden melancholy by a melody, a line of poetry or a beautiful landscape.

The reason for this praise of their quality, if the reason needs to be stated, lies in my feeling of definite indebtedness to them. They furnished much of the charm and poetic suggestion of my childhood. Most of what I have in the way of feeling for music, for rhythm, I derive from my mother's side of the house, for it was almost entirely Celt in every characteristic. She herself was a wordless poet, a sensitive singer of sad romantic songs.

Father was by nature an orator and a lover of the drama. So far as I am aware, he never read a poem if he could help it, and yet he responded instantly to music, and was instinctively courtly in manner. His mind was clear, positive and definite, and his utterances fluent. Orderly, resolute and thorough in all that he did, he despised William McClintock's easy-going habits of husbandry, and found David's lack of "push," of business enterprise, deeply irritating. And yet he loved them both and respected my mother for defending them.

To me, in those days, the shortcomings of the McClintocks did not appear particularly heinous. All our neighbors were living in log houses and frame shanties built beside the brooks, or set close against the hillsides, and William's small unpainted dwelling seemed a natural feature of the landscape, but as the years passed and other and more enterprising settlers built big barns, and shining white houses, the gray and leaning stables, sagging gates and roofs of my uncle's farm, became a reproach even in my eyes, so that when I visited it for the last time just before our removal to Iowa, I, too, was a little ashamed of it. Its disorder did not diminish my regard for the owner, but I wished he would clean out the stable and prop up the wagon-shed.

My grandmother's death came soon after our second visit to the homestead. I have no personal memory of the event, but I heard Uncle David describe it. The setting of the final scene in the drama was humble. The girls were washing clothes in the yard and the silent old mother was getting the mid-day meal. David, as he came in from the field, stopped for a moment with his sisters and in their talk Samantha said: "Mother isn't at all well today."