My notion of studying at some school was never carried out. The Boston University classes did not attract me. The Harvard lectures were inaccessible, and my call upon the teacher of "Expression" to whom Mr. Bashford had given me a letter led to nothing. The professor was a nervous person and made the mistake of assuming that I was as timid as I was silent. His manner irritated me and the outburst of my resentment was astonishing to him. I was hungry at the moment and to be patronized was too much!

This encounter plunged me into deep discouragement and I went back to my reading in the library with a despairing resolution to improve every moment, for my stay in the east could not last many weeks. At the rate my money was going May would see me bankrupt.

I read both day and night, grappling with Darwin, Spencer, Fiske, Helmholtz, Haeckel,—all the mighty masters of evolution whose books I had not hitherto been able to open. For diversion I dived into early English poetry and weltered in that sea of song which marks the beginnings of every literature, conning the ballads of Ireland and Wales, the epics of Ireland, the early German and the songs of the troubadours, a course of reading which started me on a series of lectures to be written directly from a study of the authors themselves. This dimly took shape as a volume to be called The Development of English Ideals, a sufficiently ambitious project.

Among other proscribed books I read Whitman's Leaves of Grass and without doubt that volume changed the world for me as it did for many others. Its rhythmic chants, its wonderful music filled me with a keen sense of the mystery of the near at hand. I rose from that first reading with a sense of having been taken up into high places. The spiritual significance of America was let loose upon me.

Herbert Spencer remained my philosopher and master. With eager haste I sought to compass the "Synthetic Philosophy." The universe took on order and harmony as, from my five cent breakfast, I went directly to the consideration of Spencer's theory of the evolution of music or painting or sculpture. It was thrilling, it was joyful to perceive that everything moved from the simple to the complex—how the bow-string became the harp, and the egg the chicken. My mental diaphragm creaked with the pressure of inrushing ideas. My brain young, sensitive to every touch, took hold of facts and theories like a phonographic cylinder, and while my body softened and my muscles wasted from disuse, I skittered from pole to pole of the intellectual universe like an impatient bat. I learned a little of everything and nothing very thoroughly. With so many peaks in sight, I had no time to spend on digging up the valley soil.

My only exercise was an occasional slow walk. I could not afford to waste my food in physical effort, and besides I was thinly dressed and could not go out except when the sun shone. My overcoat was considerably more than half cotton and a poor shield against the bitter wind which drove straight from the arctic sea into my bones. Even when the weather was mild, the crossings were nearly always ankle deep in slush, and walking was anything but a pleasure, therefore it happened that for days I took no outing whatsoever. From my meals I returned to my table in the library and read until closing time, conserving in every way my thirty cents' worth of "food units."

In this way I covered a wide literary and scientific territory. Humped over my fitful register I discussed the Nebular Hypothesis. My poets and scientists not merely told me of things I had never known, they confirmed me in certain conceptions which had come to me without effort in the past. I became an evolutionist in the fullest sense, accepting Spencer as the greatest living thinker. Fiske and Galton and Allen were merely assistants to the Master Mind whose generalizations included in their circles all modern discovery.

It was a sad change when, leaving the brilliant reading room where my mind had been in contact with these masters of scientific world, I crept back to my minute den, there to sit humped and shivering (my overcoat thrown over my shoulders) confronting with scared resentment the sure wasting of my little store of dollars. In spite of all my care, the pennies departed from my pockets like grains of sand from an hour-glass and most disheartening of all I was making no apparent gain toward fitting myself for employment in the west.

Furthermore, the greatness, the significance, the beauty of Boston was growing upon me. I felt the neighboring presence of its autocrats more definitely and powerfully each day. Their names filled the daily papers, their comings and goings were carefully noted. William Dean Howells, Oliver Wendell Holmes, John G. Whittier, Edwin Booth, James Russell Lowell, all these towering personalities seemed very near to me now, and their presence, even if I never saw their faces, was an inspiration to one who had definitely decided to compose essays and poems, and to write possibly a history of American Literature. Symphony concerts, the Lowell Institute Lectures, the Atlantic Monthly—(all the distinctive institutions of the Hub) had become very precious to me notwithstanding the fact that I had little actual share in them. Their nearness while making my poverty more bitter, aroused in me a vague ambition to succeed—in something. "I won't be beaten, I will not surrender," I said.

Being neither a resident of the city nor a pupil of any school I could not take books from the library and this inhibition wore upon me till at last I determined to seek the aid of Edward Everett Hale who had long been a great and gracious figure in my mind. His name had been among the "Authors" of our rainy-day game on the farm. I had read his books, and I had heard him preach and as his "Lend-a-hand" helpfulness was proverbial, I resolved to call upon him at his study in the church, and ask his advice. I was not very definite as to what I expected him to do, probably I hoped for sympathy in some form.