The river is up, the channel is deep,
The winds blow high and strong.
The flash of the oars, the stroke we keep,
As we row the old boat along,
Down the O-h-i-o.
Mother, on the contrary, was gifted with a voice of great range and sweetness, and from her we always demanded Nettie Wildwood, Lily Dale, Lorena or some of Root's stirring war songs. We loved her noble, musical tone, and yet we always enjoyed our father's tuneless roar. There was something dramatic and moving in each of his ballads. He made the words mean so much.
It is a curious fact that nearly all of the ballads which the McClintocks and other of these powerful young sons of the border loved to sing were sad. Nellie Wildwood, Minnie Minturn, Belle Mahone, Lily Dale were all concerned with dead or dying maidens or with mocking birds still singing o'er their graves. Weeping willows and funeral urns ornamented the cover of each mournful ballad. Not one smiling face peered forth from the pages of The Home Diadem.
Lonely like a withered tree,
What is all the world to me?
Light and life were all in thee,
Sweet Belle Mahone,
wailed stalwart David and buxom Deborah, and ready tears moistened my tanned plump cheeks.
Perhaps it was partly by way of contrast that the jocund song of Freedom's Star always meant so much to me, but however it came about, I am perfectly certain that it was an immense subconscious force in the life of my father as it had been in the westward marching of the McClintocks. In my own thinking it became at once a vision and a lure.
The only humorous songs which my uncles knew were negro ditties, like Camp Town Racetrack and Jordan am a Hard Road to Trabbel but in addition to the sad ballads I have quoted, they joined my mother in The Pirate's Serenade, Erin's Green Shore, Bird of the Wilderness, and the memory of their mellow voices creates a golden dusk between me and that far-off cottage.
During the summer of my eighth year, I took a part in haying and harvest, and I have a painful recollection of raking hay after the wagons, for I wore no shoes and the stubble was very sharp. I used to slip my feet along close to the ground, thus bending the stubble away from me before throwing my weight on it, otherwise walking was painful. If I were sent across the field on an errand I always sought out the path left by the broad wheels of the mowing machine and walked therein with a most delicious sense of safety.
It cannot be that I was required to work very hard or very steadily, but it seemed to me then, and afterward, as if I had been made one of the regular hands and that I toiled the whole day through. I rode old Josh for the hired man to plow corn, and also guided the lead horse on the old McCormick reaper, my short legs sticking out at right angles from my body, and I carried water to the field.
It appears that the blackbirds were very thick that year and threatened, in August, to destroy the corn. They came in gleeful clouds, settling with multitudinous clamor upon the stalks so that it became the duty of Den Green to scare them away by shooting at them, and I was permitted to follow and pick up the dead birds and carry them as "game."