Then came our new books, a McGuffey reader, a Mitchell geography, a Ray's arithmetic, and a slate. The books had a delightful new smell also, and there was singular charm in the smooth surface of the unmarked slates. I was eager to carve my name in the frame. At last with our treasures under the seat (so near that we could feel them), with our slates and books in our laps we jolted home, dreaming of school and snow. To wade in the drifts with our fine high-topped boots was now our desire.
It is strange but I cannot recall how my mother looked on this trip. Even my father's image is faint and vague (I remember only his keen eagle-gray terrifying eyes), but I can see every acre of that rented farm. I can tell you exactly how the house looked. It was an unpainted square cottage and stood bare on the sod at the edge of Dry Run ravine. It had a small lean-to on the eastern side and a sitting room and bedroom below. Overhead was a low unplastered chamber in which we children slept. As it grew too cold to use the summer kitchen we cooked, ate and lived in the square room which occupied the entire front of the two story upright, and which was, I suppose, sixteen feet square. As our attic was warmed only by the stove-pipe, we older children of a frosty morning made extremely simple and hurried toilets. On very cold days we hurried down stairs to dress beside the kitchen fire.
Our furniture was of the rudest sort. I cannot recall a single piece in our house or in our neighbors' houses that had either beauty or distinction. It was all cheap and worn, for this was the middle border, and nearly all our neighbors had moved as we had done in covered wagons. Farms were new, houses were mere shanties, and money was scarce. "War times" and "war prices" were only just beginning to change. Our clothing was all cheap and ill fitting. The women and children wore home-made "cotton flannel" underclothing for the most part, and the men wore rough, ready-made suits over which they drew brown denim blouses or overalls to keep them clean.
Father owned a fine buffalo overcoat (so much of his song's promise was redeemed) and we possessed two buffalo robes for use in our winter sleigh, but mother had only a sad coat and a woolen shawl. How she kept warm I cannot now understand—I think she stayed at home on cold days.
All of the boys wore long trousers, and even my eight year old brother looked like a miniature man with his full-length overalls, high-topped boots and real suspenders. As for me I carried a bandanna in my hip pocket and walked with determined masculine stride.
My mother, like all her brothers and sisters, was musical and played the violin—or fiddle, as we called it,—and I have many dear remembrances of her playing. Napoleon's March, Money Musk, The Devil's Dream and half-a-dozen other simple tunes made up her repertoire. It was very crude music of course but it added to the love and admiration in which her children always held her. Also in some way we had fallen heir to a Prince melodeon—one that had belonged to the McClintocks, but only my sister played on that.
Once at a dance in neighbor Button's house, mother took the "dare" of the fiddler and with shy smile played The Fisher's Hornpipe or some other simple melody and was mightily cheered at the close of it, a brief performance which she refused to repeat. Afterward she and my father danced and this seemed a very wonderful performance, for to us they were "old"—far past such frolicking, although he was but forty and she thirty-one!
At this dance I heard, for the first time, the local professional fiddler, old Daddy Fairbanks, as quaint a character as ever entered fiction, for he was not only butcher and horse doctor but a renowned musician as well. Tall, gaunt and sandy, with enormous nose and sparse projecting teeth, he was to me the most enthralling figure at this dance and his queer "Calls" and his "York State" accent filled us all with delight. "Ally man left," "Chassay by your pardners," "Dozy-do" were some of the phrases he used as he played Honest John and Haste to the Wedding. At times he sang his calls in high nasal chant, "First lady lead to the right, deedle, deedle dum-dum— gent foller after—dally-deedle-do-do—three hands round"—and everybody laughed with frank enjoyment of his words and action.
It was a joy to watch him "start the set." With fiddle under his chin he took his seat in a big chair on the kitchen table in order to command the floor. "Farm on, farm on!" he called disgustedly. "Lively now!" and then, when all the couples were in position, with one mighty No. 14 boot uplifted, with bow laid to strings he snarled, "Already—GELANG!" and with a thundering crash his foot came down, "Honors TEW your pardners—right and left FOUR!" And the dance was on!
I suspect his fiddlin' was not even "middlin'," but he beat time fairly well and kept the dancers somewhere near to rhythm, and so when his ragged old cap went round he often got a handful of quarters for his toil. He always ate two suppers, one at the beginning of the party and another at the end. He had a high respect for the skill of my Uncle David and was grateful to him and other better musicians for their non-interference with his professional engagements.