Then we all went into the little front room and the soldier laid off his heavy army shoes. My mother brought a pillow to put under his head, and so at last he stretched out on the floor the better to rest his tired, aching bones, and there I joined him.
"Oh, Belle!" he said, in tones of utter content. "This is what I've dreamed about a million times."
Frank and I grew each moment more friendly and soon began to tumble over him while mother hastened to cook something for him to eat. He asked for "hot biscuits and honey and plenty of coffee."
That was a mystic hour—and yet how little I can recover of it! The afternoon glides into evening while the soldier talks, and at last we all go out to the barn to watch mother milk the cow. I hear him ask about the crops, the neighbors.—The sunlight passes. Mother leads the way back to the house. My father follows carrying little Frank in his arms.
He is a "strange man" no longer. Each moment his voice sinks deeper into my remembrance. He is my father—that I feel ringing through the dim halls of my consciousness. Harriet clings to his hand in perfect knowledge and confidence. We eat our bread and milk, the trundle-bed is pulled out, we children clamber in, and I go to sleep to the music of his resonant voice recounting the story of the battles he had seen, and the marches he had made.
The emergence of an individual consciousness from the void is, after all, the most amazing fact of human life and I should like to spend much of this first chapter in groping about in the luminous shadow of my infant world because, deeply considered, childish impressions are the fundamentals upon which an author's fictional out-put is based; but to linger might weary my reader at the outset, although I count myself most fortunate in the fact that my boyhood was spent in the midst of a charming landscape and during a certain heroic era of western settlement.
The men and women of that far time loom large in my thinking for they possessed not only the spirit of adventurers but the courage of warriors. Aside from the natural distortion of a boy's imagination I am quite sure that the pioneers of 1860 still retained something broad and fine in their action, something a boy might honorably imitate.
The earliest dim scene in my memory is that of a soft warm evening. I am cradled in the lap of my sister Harriet who is sitting on the door-step beneath a low roof. It is mid-summer and at our feet lies a mat of dark-green grass from which a frog is croaking. The stars are out, and above the high hills to the east a mysterious glow is glorifying the sky. The cry of the small animal at last conveys to my sister's mind a notion of distress, and rising she peers closely along the path. Starting back with a cry of alarm, she calls and my mother hurries out. She, too, examines the ground, and at last points out to me a long striped snake with a poor, shrieking little tree-toad in its mouth. The horror of this scene fixes it in my mind. My mother beats the serpent with a stick. The mangled victim hastens away, and the curtain falls.
I must have been about four years old at this time, although there is nothing to determine the precise date. Our house, a small frame cabin, stood on the eastern slope of a long ridge and faced across a valley which seemed very wide to me then, and in the middle of it lay a marsh filled with monsters, from which the Water People sang night by night. Beyond was a wooded mountain.
This doorstone must have been a favorite evening seat for my sister, for I remember many other delicious gloamings. Bats whirl and squeak in the odorous dusk. Night hawks whiz and boom, and over the dark forest wall a prodigious moon miraculously rolls. Fire-flies dart through the grass, and in a lone tree just outside the fence, a whippoorwill sounds his plaintive note. Sweet, very sweet, and wonderful are all these!