Mother put up a basket of food, father cast a quarter of beef into the back-part of the sleigh, and we were off early of a cold winter night in order to be on hand for the supper. My brother and I were mere passengers on the straw behind, along with the slab of beef, but we gave no outward sign of discontent. It was a clear, keen, marvellous twilight, with the stars coming out over the woodlands to the east. On every road the sound of bells and the voices of happy young people came to our ears. Occasionally some fellow with a fast horse and a gay cutter came slashing up behind us and called out "Clear the track!" Father gave the road, and the youth and his best girl went whirling by with a gay word of thanks. Watch-dogs guarding the Davis farm-house, barked in savage warning as we passed and mother said, "Everybody's gone. I hope we won't be late."
We were, indeed, a little behind the others for when we stumbled into the Ellis Durrell house we found a crowd of merry folks clustered about the kitchen stove. Mrs. Ellis flattered me by saying, "The young people are expecting you over at Joe's." Here she laughed, "I'm afraid they are going to dance."
As soon as I was sufficiently thawed out I went across the road to the other house which gave forth the sound of singing and the rhythmic tread of dancing feet. It was filled to overflowing with the youth of the neighborhood, and Agnes Farwell, Joe's niece, the queenliest of them all, was leading the dance, her dark face aglow, her deep brown eyes alight.
The dance was "The Weevilly Wheat" and Ed Blackler was her partner. Against the wall stood Marsh Belford, a tall, crude, fierce young savage with eyes fixed on Agnes. He was one of her suitors and mad with jealousy of Blackler to whom she was said to be engaged. He was a singular youth, at once bashful and baleful. He could not dance, and for that reason keenly resented Ed's supple grace and easy manners with the girls.
Crossing to where Burton stood, I heard Belford say as he replied to some remark by his companions, "I'll roll him one o' these days." He laughed in a constrained way, and that his mood was dangerous was evident. In deep excitement Burton and I awaited the outcome.
The dancing was of the harmless "donation" sort. As musical instruments were forbidden, the rhythm was furnished by a song in which we all joined with clapping hands.
Come hither, my love, and trip together
In the morning early,
Give to you the parting hand
Although I love you dearly.
I won't have none of your weevilly wheat
I won't have none of your barley,
I'll have some flour
In half an hour
To bake a cake for Charley.—
Oh, Charley, he is a fine young man,
Charley he is a dandy,
Charley he is a fine young man
For he buys the girls some candy.
The figures were like those in the old time "Money Musk" and as Agnes bowed and swung and gave hands down the line I thought her the loveliest creature in the world, and so did Marsh, only that which gladdened me, maddened him. I acknowledged Edwin's superior claim,—Marsh did not.
Burton, who understood the situation, drew me aside and said, "Marsh has been drinking. There's going to be war."
As soon as the song ceased and the dancers paused, Marsh, white with resolution, went up to Agnes, and said something to her. She smiled, but shook her head and turned away. Marsh came back to where his brother Joe was standing and his face was tense with fury. "I'll make her wish she hadn't," he muttered.