It appeared to him the most pathetic, tragic, and desperate revolt against oppression and wrong ever made by the American farmer. It was the Grange movement broadened, deepened, and made more desperate and wide-reaching by changing conditions.
At Davis' suggestion they went off down the street, joining the crowd on the sidewalk, which was streaming away towards the fair grounds. A roasted ox was to be served there, and speeches were to follow. The road kept on to the south, down over the gentle slope, and turned aside under the jack-oaks, and led through a wooden gate into an enclosure which was used for the county fair. Down under the great shed by the side of the race-track the people swarmed in thousands.
They were all standing about the rude tables, behind which helpers were busily hewing off great lumps of beef and mutton, and slicing fat slabs of bread, which were snatched and carried away in little paper plates by the hungry men. Here and there beside their wagons, families were eating a dinner of their own.
The same sober color predominated. There was a little more life and gayety in their speech here. Their grim, harsh faces relaxed a little, and now and then broke into unwonted smiles as they stood about devouring their food and discussing the meeting, which they counted a success. Everywhere were hearty handshakings and fraternal greetings.
All about the grounds stood feeble women in ill-fitting clothes, with tired children in their aching arms, a painful sag in their weakened loins. Bradley marvelled to think why such festivals had ever seemed mirthful and happy to him. He wondered if there used to be so many tired faces at the Grange picnics in Iowa. Were the farmers really less comfortable and happy, or had he simply grown clear-sighted?
Kansas as it stood there was Democratic. Poverty has few distinctions among its victims. The negro stood close beside his white brother in adversity, and there was a certain relation and resemblance in their stiffened walk, poor clothing, and dumb, imploring, empty hands. There lay in the whole scene something tremendous, something far-reaching. The movement it represented had the majesty, if not the volcanic energy, of the rise of the peasants of the Vendée.
After the dinner was eaten, the people gradually took their seats on the grand stand, facing a platform upon which the speakers were already assembled. Bradley looked about for Ida, but she had not come. The choir amused the people with a few Alliance songs, whose character may be indicated by their titles: "Join the Alliance Step," "Get off the Fence, Brother," "We're Marching Along," etc.
The people were watching eagerly for Ida's appearance; and when she came in view, escorted by the chairman, the people on the platform swarmed about to greet her, and hid her from Bradley's eager eyes. He was tremulous with emotion as the chairman introduced her. It carried him back to the day when he first saw her.
As she rose to speak now, it was in a broad, garish light. No dapple of shadows was there, no rustle of leaves, no green, mossy trunks of trees. She stood on a bare platform facing five thousand faces under a shed-like roof.
She was changed too. She was now a mature woman. There was nothing girlish about her talk or her manner. There was decision in the tones of her voice, and a sense of power in the poise of her head and in the lofty gesture of her hand. She no longer made a set oration. She talked straight at her audiences.