"I think you're a thief and a liar!" shouted Haskins, leaping up. "A black-hearted houn'!" Butler's smile maddened him; with a sudden leap he caught a fork in his hands, and whirled it in the air. "You'll never rob another man, damn ye!" he grated through his teeth, a look of pitiless ferocity in his accusing eyes.

Butler shrank and quivered, expecting the blow; stood, held hypnotized by the eyes of the man he had a moment before despised—a man transformed into an avenging demon. But in the deadly hush between the lift of the weapon and its fall there came a gush of faint, childish laughter and then across the range of his vision, far away and dim, he saw the sun-bright head of his baby girl, as, with the pretty, tottering run of a two-year-old, she moved across the grass of the dooryard. His hands relaxed: the fork fell to the ground; his head lowered.

"Make out y'r deed an' mor'gage, an' git off'n my land, an' don't ye never cross my line agin; if y' do, I'll kill ye."

Butler backed away from the man in wild haste, and climbing into his buggy with trembling limbs drove off down the road, leaving Haskins seated dumbly on the sunny pile of sheaves, his head sunk into his hands.

[The Creamery Man]

"Along these woods in storm and sun the busy people go."

The tin-peddler has gone out of the West. Amiable gossip and sharp trader that he was, his visits once brought a sharp business grapple to the farmer's wife and daughters, after which, as the man of trade was repacking his unsold wares, a moment of cheerful talk often took place. It was his cue, if he chanced to be a tactful peddler, to drop all attempts at sale and become distinctly human and neighborly.

His calls were not always well received, but they were at their best pleasant breaks of a monotonous round of duties. But he is no longer a familiar spot on the landscape. He has passed into the limbo of the things no longer necessary. His red wagon may be rumbling and rattling through some newer region, but the "Coolly Country" knows him no more.

"The creamery man" has taken his place. Every afternoon, rain or shine, the wagons of the North Star Creamery in "Dutcher's Coolly" stop at the farmers' windmills to skim the cream from the "submerged cans." His wagon is not gay; it is generally battered and covered with mud and filled with tall cans; but the driver himself is generally young and sometimes attractive. The driver in Molasses Gap, which is a small coolly leading into Dutcher's Coolly, was particularly good-looking and amusing.