"I don't mind the calling, Frank," she briskly replied, "and I don't much mind giving a little dinner, but I don't want to get the girl on my mind. She has so much to learn, and I haven't the time nor energy to teach her."
Congdon waved his finger. "Don't you grow pale over that," said he. "That girl's no fool—she's capable of development. She will amaze you yet."
"Well, consider it settled. I'll call this afternoon and ask her to dinner; but don't expect me to advise her and follow her up. Now, who'll we ask to meet her—the Cregos?"
"Yes, I'd thought of them."
"Oh, I know all about it. You needn't stammer. You and Allen are getting a good deal out of the Haneys, and want to be decent in return. Well, I think well of you for it, and I'll do my mite. I'll have young Fordyce in, and Alice; being Quakers and 'plain people,' they won't mind. Ben is crazy to see the rough side of Western life, anyway. Now run away, little boy, and leave the whole business to me."
As Crego had said, the Congdons were privileged characters in the Springs. They were at once haughty with the pride of esthetic cleverness, and humble with the sense of their unworthiness in the wide old-world of art. Lee was contemptuous of wealth when they had a pot of beans in the house, and Frank was imperiously truculent when borrowing ten dollars from a friend or demanding an advance of cash from a prospective patron. They both came of long lines of native American ancestry, and not only felt themselves as good as anybody, but a little better than most. They gave wit for champagne, art instruction for automobile rides, and never-failing good humor for house-room and the blazing fires of roomy hearths.
Mrs. Congdon, of direct Virginian ancestry, was named Lee by a state's-rights mother, who sent her abroad to "study art." She ended by pretending to be a sculptor—and she still did occasionally model a figurine of her friends or her friends' babies; mainly, she was the aider and abettor of her husband, a really clever portrait-painter, whose ill health had driven him from New York to Colorado, and who was making a precarious living in the Springs—precarious for the reason that on bright days he would rather play golf than handle a brush, and on dark days he couldn't see to paint (so he said). In truth, he was not well, and his slender store of strength did not permit him to do as he would. To cover the real seriousness of his case he loudly admitted his laziness and incompetency.
Lee was a devoted wife, and when she realized that his interest in the Haneys was deep and genuine her slight opposition gave way. It meant a couple of thousand dollars to Frank, but money was the least of their troubles—credit seemed to come along when they needed it most, and each of them had become "trustful to the point of idiocy," Mrs. Crego was accustomed to say. Mrs. Crego really took charge of their affairs, and when they needed food helped them to it.
Starting for the Haneys on the street-car that very afternoon, Lee reached the gate just as Bertie was helping Mart into his carriage. There was something so genuine and so touching in this picture of the slender young wife supporting her big and crippled husband that Mrs. Congdon's nerves thrilled and her face softened. Plainly this consideration on the part of Mrs. Haney was habitual and ungrudging.
Bertie, as she faced her caller, saw only a pale little woman with flashing eyes and smiling mouth, whose dress was as neat as a man's and almost as plain (Lee prided herself on not being "artistic" in dress), and so waited for further information.