Milton, standing near, caught his eye again. "Clean that ear, sir! What the devil you standin' there for?" He returned to his story after a pause. "A—n—d Jake, he scraped away—hyare!" he shouted suddenly, "don't ruggle the skin like that! Can't you see the way I do it? Leave it smooth as a baby, sir—yessir!"
He worked on in this way all day, talking unceasingly, never shirking a hard job, and scarcely showing fatigue at any moment.
"I'm short o' breath a leetle, that's all; never git tired, but my wind gives out. Dum cold got on me, too."
He ate a huge supper of liver and potatoes, still working away hard at an ancient horse trade, and when he drove off at night, he had not yet finished a single one of the dozen stories he had begun.
III
But pitching grain and hog-killing were on the lower levels of his art, for above all else Daddy loved to be called upon to play the fiddle for dances. He "officiated" for the first time at a dance given by one of the younger McTurgs. They were all fiddlers themselves,—had been for three generations,—but they seized the opportunity of helping Daddy and at the same time of relieving themselves of the trouble of furnishing the music while the rest danced.
Milton attended this dance, and saw Daddy for the first time earning his money pleasantly. From that time on the associations around his personality were less severe, and they came to like him better. He came early, with his old fiddle in a time-worn white-pine box. His hair was neatly combed to the top of his long, narrow head, and his face was very clean. The boys all greeted him with great pleasure, and asked him where he would sit.
"Right on that table, sir; put a chair up there."
He took his chair on the kitchen-table as if it were a throne. He wore huge moccasins of moose-hide on his feet, and for special occasions like this added a paper collar to his red woollen shirt. He took off his coat and laid it across his chair for a cushion. It was all very funny to the young people, but they obeyed him laughingly, and while they "formed on," he sawed his violin and coaxed it up to concert pitch, and twanged it and banged it into proper tunefulness.
"A-a-a-ll ready there!" he rasped out, with prodigious force. "Everybody git into his place!" Then, lifting one huge foot, he put the fiddle under his chin, and, raising his bow till his knuckles touched the strings, he yelled, "Already, G'LANG!" and brought his foot down with a startling bang on the first note. Rye doodle duo, doodle doo.