"Say, hain't got a cooky or anything, and a cup o' milk handy?" he said at the end of the first enormous word, which ran the whole length of the barn.
Uncle Ethan got him the milk and cooky, which he ate with an exaggeratedly dainty action of his fingers, seated meanwhile on the staging which Uncle Ripley had helped him to build. This lunch infused new energy into him, and in a short time "Dodd's Family Bitters, Best in the Market," disfigured the sweet-smelling pine boards.
Ethan was eating his self-obtained supper of bread and milk when his wife came home.
"Who's been a-paintin' on that barn?" she demanded, her bead-like eyes flashing, her withered little face set in an ominous frown. "Ethan Ripley, what you been doin'?"
"Nawthin'," he replied, feebly.
"Who painted that sign on there?"
"A man come along an' he wanted to paint that on there, and I let 'im; and it's my barn, anyway. I guess I can do what I'm a min' to with it," he ended, defiantly; but his eyes wavered.
Mrs. Ripley ignored the defiance. "What under the sun p'sessed you to do such a thing as that, Ethan Ripley? I declare I don't see! You git fooler an' fooler ev'ry day you live, I do believe."
Uncle Ethan attempted a defense.