Without you we can do nothing.
Help us, O Father.
Help us to see the old world,
The happy hunting ground of the buffalo,
The glorious land of our childhood.
Hear us, Great Spirit.”
They were dancing in a great circle, some sixty men and women, their hands interlacing, their eyes on the ground. Each dancer wore a plain buckskin shirt without ornament. No one carried a weapon of any kind. They had deliberately gone far back of the white man, discarding all things on which his desolating hand had been laid. On each head (even of the women) waved an eagle plume, the sacred feather, and all were painted with a red paint, which the Mato had brought with him—a sacred paint he called it. Around them were many others, watching, and here and there on the ground lay those who were entranced.
Just as I came up the song ended and Mato, who stood in the circle, lifted a peculiar wand in his hand and cried out like a priest: “Think hard only of that which you wish to see in your sleep, and it will be given to you. The old shall be young and the sick shall be made well. Put away all anger and hatred and turn your thoughts to the Messiah in the west who listens to all his children.”
Then some one started another song and they began again to dance. I looked for the chief, and saw him sitting in the shadow of a small tree close to the circle of dancers. My father, Slohan, Circling Hawk, and another whom I do not recall, sat with him. They were all very grave and very intent. They hardly saw me and my task grew heavy and hard.
I motioned to my father and he came out, and I said: “I am from the agency. I am hungry and so is my horse.”