"Where?" asked Curtis from the door-way.
"On the high ground near the spring. He has three bullet-holes in him. Three cartridge-shells were found where the horses' hoof-marks were. The ones who shot dismounted there and fired over a little knoll. There are many white men over there now; they are very angry. They are coming here—"
"Be silent! Come in here!" Once within the office, Curtis drew from Crow Wing all he knew. He was just in the midst of giving his orders when Wilson opened the door and said, quietly, though his voice had a tremulous intensity:
"Major, step here a moment."
Curtis went to the door. He could not restrain a smile, even while a cold chill went to his heart. Nothing could exceed the suddenness of the change which had swept over the agency. As he had stood in the office door ten minutes before, his ears had been filled with the clink-clank of the blacksmiths' hammers, the shouts of drivers, and the low laughter of young women on their way to the store. Crane's Voice was hitching up his team, while Lost Legs and Turkey Tail were climbing to the roof of the warehouse with pots of red paint. Peter Wolf was mending a mowing-machine, and his brother Robert was cutting wood behind the agency kitchen. All about he had observed groups of white-blanketed Indians smoking cigarettes in the shade of the buildings, while a crowd of nearly twenty others stood watching a game of duck-on-the-rock before the agency store.
Now as he looked over the yards not a redman could be seen at his work. On every side the people, without apparent haste, but surely, steadily, and swiftly, were scattering. The anvil no longer cried out, the teamsters were silent, all laughter had ceased, the pots of paint sat scorching in the sun. There was something fiercely ominous as well as uncanny in this sudden, silent dispersion of a busy, merry throng, and Curtis, skilled in Indian signs, appreciated to the full the distrust of the white man here expressed. He understood this panic. The settlers had long threatened war. Now the pretext had come, and the sound of guns was about to begin.
"Wilson," said Curtis, calmly, "if the settlers fire a shot they will regret it. See Crane's Voice, if you can find him, and send him to me." He turned to Crow and signed: "Go tell your people I will not let the cowboys hurt them. Hurry! Call them all back. Tell them to go to work. I will call the soldiers, if necessary, to keep the white man away. There is no danger."
Crow was a brave and loyal man, and, weary as he was, hastened to carry out his orders. The call for "assembly" was rung on the signal-bell, and a few of the red employés responded. To them Curtis spoke reassuringly, but his words were belied by Thomas Big Voice, the official interpreter, who was so scared his knees shook.
Curtis sent Wilson to quiet the teachers and hurried immediately to the studio, where Elsie was at work painting a portrait of old Chief Black Bull. The old man sprang to his feet the instant he caught sight of his agent's face.
"Friend, what is the matter?" he asked.