"It didn't work out so in this instance. Bottazzi says that during the first séance Professor Scarpa irritated Eusapia greatly by his impertinent curiosity, but Bottazzi himself quieted her by saying: 'You see, dear Eusapia, we are not here only to admire the marvellous phenomena you are able to produce, but also, and chiefly, to observe and verify and criticise. We do not doubt you or suspect any fraud, but we want to see clearly, and to follow the development of the phenomena. That is why M. Scarpa surveys the cabinet between the curtains, illuminating it occasionally with an electric pocket-lamp. Which do you prefer, passive admiration, of which you must have had more than enough already, or the calm affirmation of physicists who are accustomed to extort from Nature secrets which she hides from physical eyes? 'In this way,' adds the master, 'Eusapia's irritation was softened; she rebelled no further, but yielded with docility to the sharp, attentive scrutiny of the observer, who finally declared himself beaten, not having been able to discover at any point a shadow of fraud.'"
"Hurrah for Eusapia!" shouted Howard. "She must be a wonder!"
"A spiritist would say that her guides were insisting on the most rigid test. The account goes on to say that the psychic, when entranced, was not satisfied with the grasp of two of the spies; she frequently asked, in a faint voice, for a third or even a fourth hand in order that there could be no question of her freedom from connection with the phenomena. As in the case of our own psychic, Mrs. Smiley co-operated to the utmost with us. She never refused to permit any test."
Miller here remarked: "I can't but think that our control of Mrs. Smiley was complete, and yet I could not (under the conditions) assert that she was not the author of the acts we witnessed in my library. I cannot bring myself to entertain, even for an instant, the spirit hypothesis, but in Bottazzi's theory I glimpse an alternative."
"Yes, Bottazzi plainly hints at his conclusions by saying: 'The invisible limbs of the psychic explored the cabinet.' He repeats, 'I am convinced that these "mediumistic limbs" are capable of being taught unfamiliar duties, like pressing an electric button of squeezing a rubber ball,' and this he proceeded patiently to exemplify. At the third sitting Madame Bottazzi was present (Lombardi and Jona being absent), and the 'force' was much greater and more active than before, probably because of the psychic's growing confidence. A small table floated in the air 'while we watched it in amazement,' he says. One levitation lasted long enough to count fifty. 'We all had time to observe that the piece of furniture was quite isolated,' he adds. Furthermore, a big black hand came from the curtain and touched Madame Bottazzi on the cheek, and frightened her from her place beside the medium."
"I can understand that," said Mrs. Cameron. "Think of being touched by even one's own dead!"
"Professor de Amicis was not only touched on the arm but forcibly pulled, as if by an invisible hand. The curtain of the cabinet then enveloped him as if to embrace him, and he felt the contact of another face against his, and a mouth kissing him—"
The women cried out at the thought, but I hurried on to make Bottazzi's point: "'At the same time Eusapia's lips moved as if to kiss, and she made the sound of kissing, which we all distinctly heard.' Here again, you see, is that astounding synchronism which Maxwell and Morselli observed between the movement of objects and the contraction of the muscles in the medium's arms and legs. Bottazzi pauses to generalize: 'Whatever may be the mediumistic phenomena produced, there is almost always at the same time movement of one or several parts of the medium's body.'"
"What does he mean? Does he mean that Eusapia performed all these movements with her 'astral hands'?" asked Mrs. Quigg.