"Miller," said I, with conviction, "that woman did not lift her wrists from that chair!
"I don't see how she did it; but to say she did not, is to admit the preposterous. I wish she had permitted us to hold her hands."
"I don't know of another psychic in America who would have submitted to the test we put upon Mrs. Smiley to-night, but 'Mitchell' has assured me he will go further: he will let us hold her hands and turn on the light. I feel as if the great mystery were almost within our grasp. By the ghost of Euclid! I have the conviction at this moment that we are at the point of proving for ourselves the elongation of the psychic's limbs! Suppose Flammarion is right? Suppose that the psychic can extend her arms beyond their normal proportions? You should be ready to give a year, ten years, to demonstrating a single one of these physical effects. If I am any judge of character, this little woman is as honest and as wholesome as Mrs. Miller herself. It isn't this one performance alone which proves it. It is the implication of a dozen other sittings, almost as convincing as this, that gives me hope of proving something. Let us have our next sitting at Cameron's. It is only fair to readmit them, for we have proven that they had nothing to do with our performance that first night. Let us ask to be permitted to hold the hands and feet of the psychic, and also to take a flash-light picture of the floating cone. We may yet see these ghostly hands in the light of the lamp."
Miller was shaken. I could see that. He sat like one who has been dealt a stunning blow.
"I don't believe it—I can't believe it," he repeated.
"Crookes got some photos of 'Katie King,' and I fully believe that Mrs. Smiley may be developed further. Anyhow, let's test her. Now for a word of theory. This is the way it all appears to me at this time. She seems to enter successively three stages of hypnotic sleep. In the first stage the 'spirits' speak through her own throat—or she impersonates, as Mrs. Harris did. Her second and deeper sleep permits of the movement of the cone—'telekinesis,' 'independent slate-writing,' etc. But in this final deathly trance she has the power of projecting her astral hands, whatever that may mean, and the production of spirit voices. Perhaps she has an astral head—"
"I don't believe a word of it! It is all impossible, monstrous!"
"Well, how will you explain this performance? What about the tacks, the threads, the tapes that bound her? She brought books, shook the table, touched us—How?"
"I don't know; but there must be some perfectly natural way of explaining it. There is no place for the supernatural in my world. She seems a nice, simple little woman, and yet this very simplicity may be a means of throwing us off our guard. I will give a hundred dollars for permission to hold her hands while the cone is moving."