He went back to his hotel with a feeling of having spent six days in her company rather than six hours. She absorbed his entire thought, and so keen was his sense of her beleaguerment that he resolved to call upon Clarke in order to define his character and to understand his motives. "His passions or his doubt overshadow the girl's sky, and I'm going to find out whether his designs are those of friend or fiend." At the moment he had a feeling that they were those of a devouring fiend.
VII[ToC]
THE FORCES OF LIGHT AND DARKNESS
Clarke's church typified the decaying faith of its pastor. Grass was serenely pushing up through the rotting planks of the walk which led from the street to the basement "study" just as the natural goodness and cheer of man returns to dominion through the barriers of custom. The paint was blistering and peeling from the clap-boarding on the sunny side of the main building, and in one of the windows a piece of shingle had been set to repair a broken pane. It had the appearance of neglected age.
"The preacher was right—the creed of his church, as of all others, in a lesser degree perhaps, is too crass, too mechanical, too childish to tally the ideals of a generation which is each day awakening to some new potency of matter, some wider conception of the universe."
On the study door, checked by the sun and worn by the rain, the tourist applied his knuckle, and a voice, formal and sonorous, called out, "Come in!"
Opening the door, which led directly into a dark little den with only one window, Serviss confronted Clarke reading by a green-shaded lamp, in whose light he appeared as pallid, as remote from the sun, as a monk of the Middle Ages.