The Tyranny of the Dark

by Hamlin Garland

"The poor child—"

"You may well say that," replied Britt. "She has told me that her time of greatest trial comes just after the family have had their evening meal, and while she is seated at her book; but Randall grows eloquent in his description of what took place: 'Almost every night at seven o'clock the obscure powers begin their uncanny and invisible riot, ending by seizing upon the child as if to destroy her, compelling her in the end to sleep. Then her voice, her limbs, seem at the disposal of some invisible intelligence.' You see, the old man is weakening. He says no more of hysteria, and nothing about taking the girl away."

"Do you mean to tell me he joined in fostering this delusion?"

"Mark his change of tone. He goes on: 'The mother, convinced by her reading, as well as by messages in writing, believes that the spirits of her dead are trying to communicate with her, and so sits night after night terrified yet hoping, waiting for further instructions from the imponderable ones.'" Britt turned a few pages rapidly. "Listen to this. Here is the key to the old man's change of heart: 'To-night the child began to speak to me in the voice of a man. Hoarse words rose from deep in her throat, a voice and words impossible to her in her normal condition. The voice purported to be my father's. It is all very singular. I do not understand how she could know the things this voice uttered to me.' You see," said Britt, "he has ceased to be the medical adviser." He turned a number of pages slowly. "Well, the girl passed rapidly through these various phases, according to Randall. She wrote messages with her left hand, wherein her grandfather McLeod detailed the method of treating her, and Randall was so far gone that he acquiesced. From her eleventh to her fifteenth year she lived under this 'control.' The manifestations increased in power and definiteness. The 'controls' at last were three—her grandfather, her brother, and her own father. At sixteen the most violent of the manifestations ceased, and the girl went away to school. At this point Joe Lambert enters—he married the mother."

"How did he take these doings?"

"He seems to have been a silent and reluctant witness; the doctor only mentions him incidentally. There are one or two pitiful letters from the girl written while at school, detailing several embarrassing returns of the 'spirits,' but, on the whole, she was happy. According to the record, her vacations must have been a torment, for 'Waltie,' that's no Polter-geist, seemed determined to make up for lost time. He came every night, making life a hell for his sister. She could go nowhere, and it was with the greatest difficulty that the mother kept her dreadful secret."

Serviss, with darkened brow, writhed uneasily in his chair. "I have heard of these things before now, but this is a new view of a medium's development. I don't understand the mother's attitude."

"Randall notes that the mother was resigned and content as soon as she was convinced of the return of her dead father and husband and son, and at present will not think of giving up her fancied communion, especially as the 'guides' constantly assure her that 'they' will protect the girl. But observe the senility of this note in Randall's diary: 'Martha comes regularly to me now, and I am happy in a renewed sense of her companionship. Indeed, I fancy at times that I can see her. She showed me her hands last night; I could see them plainly against the window. I had quite a controversy with Lambert after the sitting. "It's all bad business," he said. "I am scared when I think of what's going to become of Viola. Here she is growing to be a big girl, and a pretty girl, and she ought to be out in company—she ought to be singing and dancing like other girls. She ought to marry like other girls and be happy, and she can't be so long as these things are going on. It isn't right."'"

"No more was it," said Serviss. "It was villainous."

"Randall was too far gone to even agree. 'But it hasn't hurt her,' I replied; 'and, indeed, this marvellous fact resigns me to the practice. I can't endure now the thought of being cut off from Martha and Paul, our precious boy. It would be like shutting the door in their faces. Besides, they are in control; we could not stop their use of the girl if we were to try. As for me, it is now my life. I am old. My friends, my dear ones, are all on that side. I have only a few more days to live, and then—' Right here the old man stopped. He lived a month or two after that, but he made no more notes, and when I came on the scene Clarke was in control of the situation. I had no acquaintance with the family and no personal knowledge of the case till Lambert called one day and told me of the sittings going on in the little cottage. He had a notion that I might be able to cure the girl."