"Let me look at it again," said Frenson.
Victor handed the paper to him and sat in silence while Frenson went over the article with studious care. It was an exceedingly able and bitter presentation of the opposition side. It left no excuse, no palliation for a career such as that of Lucile Ollnee.
"She is fraudulent from beginning to end," the writer passionately declared. "From her heart outward she is as vile, as remorseless, as mysterious as a vampire. No one knows from what foul nest she sprang. She battens upon the sick, the world-weary, the sorrowing. Her hokus-pokus is so simple that it would deceive no one but those who are blinded by their own tears. She has just one human trait. She is said to be educating a son at an Eastern university on the profits of her vile trade. It is said that she is keeping him in ignorance of her way of life."
Frenson looked up at his friend. "Vic, what do you know of this business?"
"Almost nothing. I don't know very much of even my mother's relations. The first that I can remember is our home in La Crescent. My father's name was Paul Ollnee, but I can't remember him. He died before I was three years old. We left La Crescent when I was about eight and went to the city. I can't remember very much previous to that time, but after we moved to the city I know my mother set up her 'ghost-room' again."
"Ghost-room?"
"Yes, that's what I called it. I can't remember when there was not a 'ghost-room' in our house. As far back as when I was five years old we had it, and I was just getting old enough to wonder about it when we moved to the city."
"What kind of a den was this ghost-room?"
"It looked like any other bright and pretty room, but I never got more than a glimpse of it, for I was afraid of it. There was nice paper on the wall, I remember, and a desk with books, and there were some tall tin horns standing in the corner. Oh yes, and always an old walnut table. There's something queer about that. I don't understand why my mother should have taken that table down to the city with her, but she did. It was just an old, battered-up walnut stand, and yet she seemed to think the world of it. She put it in the center of her room in the city just as she used to have it in our old home. Oh, how I hated that room! There was something uncanny about it. There was always a string of strange men and women going into it with my mother, and I was always sent away to play when they came. Oh, Gil"—his voice broke—"she is a medium, but she's not the awful creature they make her out."
"Of course not. We all know how these things go."