"What roof?" she asked timidly.
"What roof?" he repeated after her. "Why, the barn, of course! It's leakin' and rottin' my oats. It's none o' my business," he went on, his voice containing an undercurrent of vicious insult. "Only I thought you'd like to know it's worse than ever. You can do as you like about it," he said again, and there was a peculiar tone in his voice, as if, by using that tone, he touched her upon naked nerves somewhere. "I guess I can cover the oats up."
A stranger would not have known what it all meant, and yet there was something in what he said that made his wife turn white. But she answered quietly:
"I'll send word to the carpenter this forenoon. I'm sorry," she went on, the tears coming to her eyes. She turned away and looked out of the window, while he ate on indifferently. At last she turned with a sudden impulse: "O Tom, why can't we be friends again? For the children's sake, you ought to——"
"Oh, shut up!" he snarled. "Good God! Can't you let a thing rest? Suits me well enough. I ain't complainin'. So, just shut up."
He rose with a slam and went out. The two children sat with hushed breath. They knew him too well to cry out.
Mrs. Miner sat for a long time at the table without moving. At last she rose and went sighfully at work. "Morty, I want you to run down to Mr. Wilber's and ask him to come up and see me about some work." She stood at the window and watched the boy as he stepped lightly down the road. "How much he looks like his father, in spite of his sunny temper!" she thought, and it was not altogether a pleasant thing to think of, though she did not allow such a thought to take definite shape.
The young carpenter whom Wilber sent to fill Mrs. Miner's order walked with the gay feet of youth as he passed out of the little town toward the river. When he came to the bridge, he paused and studied the scene with slow, delighted eyes. The water came down over its dam with a leap of buoyant joy, as if leaping to freedom. Over the dam it lay in a quiet pool, mirroring every bud and twig. Below, it curved away between low banks, with bushes growing to the water's edge, where the pickerel lay.
But the young man seemed to be saddened by the view of the mill, which had burned some years before. It seemed like the charred body of a living thing, this heap of blackened and twisted shafts and pulleys, lying half buried in tangles of weeds.
It appealed so strongly to young Morris that he uttered an unconscious sigh as he walked on across the bridge and clambered the shelving road, which was cut out of the yellow sandstone of the hillside.