Portraits


THE WANDERER

EARLY LIFE IN NORWAY

Knut Hamsun has become identified in our minds with the lonely figure that recurs again and again in his earlier books, the Wanderer who is for ever outside of organized society and for ever pays the penalty of being different from the crowd and unable to conform to its standards. That this lonely creature is really himself in a certain period of his life we know from the testimony of his own works. Yet this vagabond and iconoclast sprang from the most conservative stock of Norway. He is the descendant of an old peasant family in Gudbrandsdalen, one of the interior mountain valleys in the heart of the country.

Gudbrandsdalen is a region of proud historical traditions. There, nine centuries ago, King Saint Olaf struggled to foist the new religion on a stiff-necked race of pagans, and not far from Hamsun's birthplace one of the oldest churches in Norway proclaimed his victory. There, six centuries ago, the Scotch invader Sinclair was annihilated with all his force when "the peasants of Vaage and Lesje and Lom their whetted axes shouldered," as the ballad tells us, and the story is still cherished, still repeated to every traveller. In this as in other secluded valleys in Norway a peasant aristocracy developed, a hard, strong race, intensely proud of its family and land, looking on any one who had been less than three generations in the neighborhood as an interloper, and scorning the classes of people who were not rooted to the soil by inherited homesteads. For the Norwegian roving blood is strangely tempered by a passionate attachment to inherited land, a trait that is perhaps a salutary safeguard against the national restlessness. Artistic handicrafts flourished in the valley. In the Open Air Museum at Lillehammer we may see them even now, marvellous creations of hammered iron, tapestries picturing scenes from the Bible, wood carvings in mellow colors and with a Renaissance exuberance of design overflowing even the commonest kitchen utensils, all of a rich yet disciplined beauty as if built on age-old artistic traditions and standards.