The people were also accustomed to use a goat in their worship and then drive it away on the veldt. I know very little of this ceremony, except that when it was told to me, I was forcibly reminded of the "scapegoat" of the Israelites. Each family also has a sacred ox or cow among the herd. They do not worship images, and are surprised to find that there are people on earth who do. Two of the boys in reading their Bibles one day learned for the first time that some people worship images made by men's hand, and they were as much surprised as any white child could have been.
"Do they answer their prayers?" inquired they. "Can they talk, or do they know anything? Is it something like we make cattle out of mud to play with?"
We are accustomed to despise people who worship animals, and it is certainly not very elevating; but they are God's handiwork, and are they not superior to many of the hideous images of idolatrous nations? When these people do worship, the object of their reverence is not the animal, but the souls of their people who they think enter the animals.
Spiritualism is a legitimate product of their beliefs. I can best illustrate this feature of their worship by giving an instance which came to our notice in the year 1900. It was a religious dance. The chief actors had come from a distance and the worship was in honor of one of their dead relatives, the aim being to bring back the soul and hold conference with it through one who acted as medium.
We felt to avail ourselves of this opportunity of seeing something of their worship, that we might have a better understanding of the same. The mother of Kelenki, one of our converts, participated and she, heathenlike, was anxious to have her boy take part, but he of course refused, as he had always done when urged to join with them. It was only about two miles from the mission, so Brother and Sister Lehman and myself went over for a short time. We entered the village at about 3 P. M. and found about one hundred people assembled. They had just been drinking beer and were feeling quite good. As many of them knew us, they greeted us quite pleasantly, nothing loath to see us on this occasion, provided we did not interfere in their worship.
One of the most noticeable features at first was the evident attempt at ornamentation on the part of the women, especially the older women who were to take active part in the proceedings. We might add that only the older people took part in this dance, and that the ornamentation of the body is always a noticeable feature of their worship. Their dress, or rather undress, consisted of a short skirt of dirty, greasy leather, covered with a heavy embroidery of bright-colored beads. The rest of the body was ornamented with beads and heavy brass rings, neck, waist, arms, and ankles being heavily laden. The headdress consisted of a broad band of beads artistically put together.
Our attention was soon drawn to three women seated on the ground before one of the huts, each with a large drum made from a hollowed log, over one end of which was a skin tightly drawn. On this drum they were beating with their hands and accompanying the sound with low, plaintive singing. Presently a man, who proved to be the leader, or medium, stepped out, beating at the same time on a drum made of a broad wooden hoop, over which was stretched a piece of skin. He was a tall, athletic-looking fellow, clothed in a short skirt similar to that worn by the women. He had many yards of blue cloth wrapped about his body and a yellow scarf thrown over one shoulder. The drum which was beaten with a stick produced a sharp ringing sound, and he danced with a peculiar backward step, keeping time to the beating of his drum, and sang, calling upon the shades. To this the women, beating the drums or tomtoms, would respond. A number of other men with similar drums joined him in the dance, and the air was filled with their melody.
This was continued for some time, when all suddenly ceased and disappeared within a hut and continued their dance within. We were invited to enter, and after creeping through the low doorway we found ourselves in a hut about eighteen feet in diameter, with a somewhat higher roof than is to be found in many native huts. The performance was similar to that on the outside, except that others joined in the dance, but all danced alone. The actions and contortions of the body became more and more rapid and violent, and there was also leaping and jumping, the heat and violent exertion of the body causing the perspiration to flow freely.
The medium finally worked himself up into sort of a frenzy and announced that a spirit had entered the door. With this he pretended to enter into conversation, but as he spoke in the Shuna language we did not understand him. The dancers all finally rushed out on the rocks and the leader fell down exhausted. After their return the same motions were continued, but a new feature was added by women entering, having native-made bells tied to their ankles, and these added to the general din. The motions of all were more or less similar, and even when the actions and contortions of the body were the most violent, they were somewhat rhythmical. The noise was deafening in the extreme, and would have surely waked the dead were such a thing possible. In addition to a dozen drums and the bells, there were yelling, whistling, and singing. A huge battle-axe was handed around from one to another, and part of the time was dangling on the neck of the leader. Sad as one felt at the delusion under which they labored, he could not but be impressed by their evident earnestness, and only wished it might be expended in a better cause.
They did not forget our presence, and no doubt we did interfere with the freedom of their actions. The medium came toward us several times, beating his drum. Thinking he might be annoyed at our presence we spoke to the headman, but he hastened to assure us that we were welcome to remain. In fact, he as well as many others in the kraal, seemed to be spectators rather than participants in the worship.