Naughty girl to disobey."
Her great feat was, however, the Varsovienne, which she told us was a Polish dance, and that Poland was a bleak and unfortunate country on the confines of Russia. Ever afterwards I associated the sprightly Sister Ignatius with a polar bear, especially when I watched her dance the "Varsovienne," and fling her head over her shoulders in a most laughable way, just as I imagined a bear would do if he took to dancing the dance of Poland.
Mother Catherine is a less agreeable memory. I see her still, a tall gaunt woman in coif and black veil, with austere grey eyes. She used to watch us in the refectory, and whenever a greedy infant kept a rare toothsome morsel for the wind-up of a frugal meal, Mother Catherine would sweep down and confiscate the reserved luxury. "My child, you will make an act of mortification for the good of your soul." I leave you to imagine the child's dislike of her immortal soul, as the goody was carried off.
Chapter XVIII. MR. PARKER THE DANCING-MASTER.
The joy of my second year at Lysterby was Mr. Parker the dancing-master. Was he evoked from pantomime and grotesque legend by the sympathetic genius of Sister Ignatius? We were all solemnly convened, in our best shoes and frocks, to a great meeting in the big hall to make the acquaintance of our dancing-master, and learn the polite steps of society. A wizen cross-looking little creature stood at the top of the long room, and as we entered in file, all agog, and ready enough, heaven knows, to shriek for nothing, from sheer animal spirits, he bowed to us, as I suppose they bowed in the good old days of Queen Anne. For Queen Anne was his weakness. I wonder why, since she was neither the queen of grace nor of beauty.
I recall the gist of his first speech: "We are now, young ladies, about to study one of the most necessary and the most serious of arts, the art of dancing. It is the art of dancing that makes ladies and gentlemen of us all. In a ball-room the awkward, those who cannot dance, are in disgrace. Nobody minds them, nobody admires them. They have not the tone of society. They are poor creatures, who, for all society cares, might never have been born. What it behoves you, young ladies, is to acquire the tone of society from your earliest years, and it is only by a steady practice of the art of dancing that you may hope to acquire it. Practice, young ladies, makes perfect—remember that."
Ever afterwards, his first question, before beginning each week's lesson, was: "What does practice do, young ladies?" and we were all expected to reply in a single ringing voice: "Makes perfect, Mr. Parker." Children are heartless satirists, and the follies of poor little Mr. Parker filled us with wicked glee.
I see him still, unconscious tiny clown, gathering up in a delicate grasp the tails of his black coat to show us how a lady curtseyed in the remote days of Queen Anne. And mincing across the polished floor, he would say, as he daintily picked his steps: "The lady enters the ball-room on the tip of her toes—so!" Picture, I pray you, the comic appearance of any woman who dared to enter a ball-room as Mr. Parker walked across our dancing-hall! Society would stand still to gape. He minced to right, he minced to left, he minced in and out of the five positions, and then with eyes ecstatically closed, he would seize his violin, and play the homely air of "Nora Creina," as he chasséed up and down the floor for our delectation, singing the while—