The Argha is a contrite form, or boat-shaped dish or plate used as a sacrificial cup in the worship of Astarte, Isis, and Venus. Its shape portrays its own significance. The Argha and crux ansata were often seen on Egyptian monuments, and yet more frequently on bas-reliefs.

Equivalent to Iao, or the Lingam, we find Ab, the Father, the Trinity; Asshur, Anu, Hea, Abraham, Adam, Esau, Edom, Ach, Sol, Helios (Greek for Sun), Dionysius, Bacchus, Apollo, Hercules, Brahma, Vishnu, Siva, Jupiter, Zeus, Aides, Adonis, Baal, Osiris, Thor, Oden; the cross, tower, spire, pillar, minaret, tolmen, and a host of others; while the Yoni was represented by IO, Isis, Astarte, Juno, Venus, Diana, Artemis, Aphrodite, Hera, Rhea, Cybele, Ceres, Eve, Frea, Frigga; the queen of Heaven, the oval, the trough, the delta, the door, the ark, the ship, the chasm, a ring, a lozenge, cave, hole, pit, Celestial Virgin, and a number of other names. Lucian, who was an Assyrian, and visited the temple of Dea Syria, near the Euphrates, says there are two Phalli standing in the porch with this inscription on them, “These Phalli I, Bacchus, dedicate to my step-mother Juno.”

The Papal religion is essentially the feminine, and built on the ancient Chaldean basis. It clings to the female element in the person of the Virgin Mary. Naphtali (Gen. xxx. 8) was a descendant of such worshippers, if there be any meaning in a concrete name. Bear in mind, names and pictures perpetuate the faith of many peoples. Neptoah is Hebrew for “the vulva,” and, Al or El being God, one of the unavoidable renderings of Naphtali is “the Yoni is my God,” or “I worship the Celestial Virgin.” The Philistine towns generally had names strongly connected with sexual ideas. Ashdod, aish or esh, means “fire, heat,” and dod means “love, to love,” “boiled up,” “be agitated,” the whole signifying “the heat of love,” or “the fire which impels to union.” Could not those people exclaim, Our “God is love”? (1 John iv. 8).

The amatory drift of Solomon’s song is undisguised, though the language is dressed in the habiliments of seeming decency. The burden of thought of most of it bears direct reference to the Linga-Yoni. He makes a woman say, “He shall lie all night betwixt my breasts” (S. of S. i. 13). Again, of the Phallus, or Linga, she says, “I will go up the palm-tree, I will take hold of the boughs thereof” (vii. 8). Palm-tree and boughs are euphemisms of the male genitals.

HEBREW PHALLICISM

The nations surrounding the Jews practising the Phallic rites and worshipping the Phallic deities, it is not to be supposed that the Jews escaped their influence. It is indeed certain that the worship of the Phallics was a great and important part of the Hebrew worship.

This will be the more plainly seen when we bear in mind the importance given to circumcision as a covenant between God and man. Another equally suggestive custom among the Patriarchs was the act of taking the oath, or making a sacred promise, which is commented upon by Dr. Ginsingburg in Kitto’s Cyclopædia. He says: “Another primitive custom which obtained in the patriarchal age was, that the one who took the oath put his hand under the thigh of the adjurer (Gen. xxiv. 2, and xlvii. 29). This practice evidently arose from the fact that the genital member, which is meant by the euphemistic expression thigh, was regarded as the most sacred part of the body, being the symbol of union in the tenderest relation of matrimonial life, and the seat whence all issue proceeds and the perpetuity so much coveted by the ancients. Compare Gen. xlvi. 26; Exod. i. 5; Judges vii. 30. Hence the creative organ became the symbol of the Creator, and the object of worship among all nations of antiquity. It is for this reason that God claimed it as a sign of the covenant between himself and his chosen people in the rite of circumcision. Nothing therefore could render the oath more solemn in those days than touching the symbol of creation, the sign of the covenant, and the source of that issue who may at any future period avenge the breaking a compact made with their progenitor.” From this we learn that Abraham, himself a Chaldee, had reverence for the Phallus as an emblem of the Creator. We also learn that the rite of circumcision touches Phallic or Lingasic worship. From Herodotus we are informed that the Syrians learned circumcision from the Egyptians, as did the Hebrews. Says Dr. Inman: “I do not know anything which illustrates the difference between ancient and modern times more than the frequency with which circumcision is spoken of in the sacred books, and the carefulness with which the subject is avoided now.”

The mutilation of male captives, as practised by Saul and David, was another custom among the worshippers of Baal, Asshur, and other Phallic deities. The practice was to debase the victims and render them unfit to take part in the worship and mysteries. Some idea can be formed of the esteem in which people in former times cherished the male or Phallic emblems of creative power when we note the sway that power exercised over them. If these organs were lost or disabled, the unfortunate one was unfitted to meet in the congregation of the Lord, and disqualified to minister in the holy temples. Excessive punishment was inflicted upon the person who had the temerity to injure the sacred structure. If a woman were guilty of inflicting injury, her hand was cut off without pity (Deut. xxv. 12). The great object of veneration in the Ark of the Covenant was doubtless a Phallic emblem, a symbol of the preservation of the germ of life.

In the historical and prophetic books of the Old Testament we have repeated evidence that the Hebrew worship was a mixture of Paganism and Judaism, and that Jehovah was worshipped in connection with other deities. Hezekiah is recorded in 2 Kings xviii. 3, to have “removed the high places, and broken the images, and cut down the groves (Ashera), and broken in pieces the brazen serpent that Moses had made, for unto those days the children of Israel did burn incense to it.” The Ashera, or sacred groves here alluded to are named from the goddess Ashtaroth, which Dr. Smith describes as the proper name of the goddess; while Ashera is the name of the image of the goddess. Rawlinson, in his Five Great Monarchies of the Ancient World, describes Ashera to imply something that stood straight up, and probably its essential element was the stem of a tree, an analogy suggestive of the Assyrian emblem of the Tree of Life of the Scriptures. This stem, which stood for the emblem of life, was probably a pillar, or Phallus, like the Lingi of the Hindus, sometimes erected in a grove or sacred hollow, signifying the Yoni and Lingi. We read in 2 Kings xxi. 7, that Manasseh “set up a graven image in the grove,” and, according to Dr. Oort, the older reading is in 2 Chron. xxxiii. 7, 15, where it is an image or pillar. During the reigns of the Jewish kings, the worship of Baal, the Priapus of the Greeks and Romans, was extensively practised by the Jews. Pillars and groves were reared in his name.

In front of the Temple of Baal, in Samaria, was erected an Ashera (1 Kings xvi. 31, 32) which even survived the temple itself, for although Jehu destroyed the Temple of Baal, he allowed the Ashera to remain (2 Kings x. 18, 19; xiii. 6). Bernstein, in an important work on the origin of the legends of Abraham, Isaac, and Jacob, undoubtedly proves that during the monarchial period of Israel, the sanguinary wars and violent conflicts between the two kingdoms of Judah and Israel were between the Elohistic and Jehovahic faiths, kept alive by the priesthood at the chief places of worship, concerning the true patriarch, and each party manufacturing and inserting legends to give a more ancient and important part to its own faith.