The Archaeology of the Yakima Valley

by Harlan Ingersoll Smith

The shell shown in [Fig. 93] was found near the neck at the south side of an adult skeleton in grave No. 12 (7) covered with pebbles in the bluff on the north side of the Naches River about 12 miles above its mouth. It has two perforations and what appears to have been a third perforation now broken out. A somewhat similar circular shell pendant which appears to have been made from the shell of the oyster was found with this and is shown in [Fig. 94]. One of these pendants was at the south shoulder, the other at the south side of the skull. A piece of wood in this grave suggests that it may not be an old one and that these disks may have been obtained from traders. The grave was apparently unique. The lower part of the inner decoration on each side of the face shown in [Fig. 121] probably represents a shell pendant for the ear or hair. Disks of haliotis shells were used as ear pendants in the Nez Perce region to the east.[283]

Bracelets. Bracelets are shown in Figs. [95] and [96]. The one shown in [Fig. 95] represents four of about the same size, all made of copper and from the arm of the skeleton found in grave No. 34 (5) of an infant in a rock-slide near the mouth of Cherry Creek. The presence of glass beads in this grave suggests that the bracelets may be of drawn copper. They are not made of wire but seem to be rolled out of rather thick sheet copper. The edges of the fold are somewhat irregular but I do not consider that this proves the material to be native copper. The bracelet shown in [Fig. 96] is one of three made of iron found in grave No. 31 (2) of a child in a rock-slide near the mouth of Cherry Creek. The use of armlets of skin decorated with shells or quills is suggested by the incisions on the arms of the costumed human figure made of antler shown in [Fig. 121]. In the Nez Perce region to the east arm and leg bands were worn[284] while in the Thompson area dentalium shells were sometimes fastened parallel to each other on arm bands.

Fig. 95 (202-8236b). Bracelet made of Copper. From arm of skeleton No. 34 (5) of an infant in a rock-slide near the mouth of Cherry Creek, below Ellensburg. ½ nat. size.
Fig. 96 (202-8226). Bracelet made of Iron. From grave No. 31 (2) of a child in a rock-slide near the mouth of Cherry Creek, below Ellensburg. ½ nat. size.

A Costumed Human Figure. A costumed human figure made of antler[285] is shown in [Fig. 121]. It was found in grave No. 25[286] in a dome of volcanic ash near Tampico. There was nothing to indicate that the grave was recent and so this gives an idea of the costume, but possibly merely of ceremonial costume as formerly worn in this region. It apparently shows a feather headdress like that of the present Indians of the region and as far east as the Dakotas; the hair dressed and ornamented with dentalium shells, the arms, body, legs and feet apparently bare and ornamented with ceremonial paintings and about the waist a fringed apron. The general style of the costume indicated is unlike that of the northwest coast but resembles that of the plateaus to the south and the Plains to the east. Above the face is a zigzag line which may represent tattooing, painting or a head-ring. Spinden says that tattooing was not practised in the Nez Perce region to the east[287] but Teit reports it as practised in the Thompson River region[288] where he supposed that when applied to the wrists the custom was derived from the coast tribes.[289] Head-rings among the Thompson River Indians were decorated with dentalium shells.[290] In the Nez Perce region[291] the face and body were painted, red and yellow being much used for this purpose. In the Thompson River area[292] the face and body were painted with several shades of red, head-bands being painted across the brows.

The zigzag is a common form of decoration of the head-bands among the Sioux. Above the zigzag arranged in a semi-circular row, are certain oblong forms which indicate feathers. The middle form, however, is marked with a circle. Both above and below this row are three incised lines forming an ark. Based on the outer one of these incisions are isosceles triangles slightly in relief. If these triangles represent the feathers of the headdress, they are certainly in the correct position. Between them are incised arks forming hachure parallel to the arks previously mentioned. Two of these extend above the tips of the triangles. Beyond this, much of the object is missing, but to the right may be seen a surface similar to the areas interpreted later on as hair ornaments. Further evidence of the use of such a headdress is offered by the red and white pictographs and by the petroglyphs of this region, samples of which are shown in Plates XI, XIV-XVI.

On each side of the face is what is apparently a hair ornament, perhaps made of buckskin, which was attached to the rolled up braids or curls of the front hair on each side of the head and hung down as in this representation. The three horizontal bands of vertical lines apparently represent dentalium shells although they may be intended for tubular copper or bone beads, while the oval figure at the bottom of each of these flaps probably represents a pendant of haliotis shell. Shell ornaments in the Thompson River region were sometimes of similar proportions and shape. Such hair ornaments were used until recently in the Thompson River region to the north where they were of different types and differed in the richness and style of their ornamentation. One of the common styles was to cover the flap of buckskin thickly with rows of the largest dentalia placed vertically side by side. Mr. James Teit informs me that the outer portion of the figure, bearing five bands of vertical lines, evidently represents part of the headdress and the buckskin flaps such as were worn in the Thompson River region attached to the sides of the head-bands. These were ornamented generally with dentalia among the women and more commonly with designs embroidered with quills or made with paint among the men. In the Nez Perce region[293] ear pendants in the form of disks were made from haliotis shells and strings of dentalia were hung from the ears or fastened to the braids of hair and dentalia and small pieces of copper were attached to the dresses of women. These vertical bands, however, may represent the lines of attachment of additional hair by means of glue covered with lime in which manner the hair is dressed by some Plains tribes. Below the nose are faint suggestions of an ornament possibly similar to the shell pendant shown in [Fig. 92].

The two ridges, extending from near the chin to the shoulders, seem to indicate collar bones. The body is thin and narrows downward. Paint or tattooing, representing the ribs, or the ribs themselves, are indicated by ridges. There are horizontal hachure on the body above the waist. The arms are separated from the body by incisions made from both the front and the back, and the outer edges of the object, being rounded off, are like portions of a carving. A bracelet, band, or figure painted or tattooed, on the apparently bare arm is indicated in the middle of each by vertical hachure connecting pairs of parallel lines. The vertical arrangement of lines of the horizontal band suggests that these were arm bands, bearing vertically arranged copper or shell beads, if not dentalium shells similar to those which are supposed to be represented by the bands of vertical lines on the headdress on each side of the face. Mr. Teit considers the bands around the elbows as representing armlets of skin embroidered with dentalia or quills like those formerly used in the Thompson River region, although the Indians there were in the habit of painting their bodies in imitation of clothing. Head-bands were painted across the brows, fringed kilts or aprons around the middle and upper part of the legs and fringed short leggings along the lower part of the legs. The fringes were represented as long. Imitations of wristlets, armlets and anklets were also painted on the body. As before mentioned, arm and leg bands were worn by the Nez Perce Indians[294] and as indicated by the previously described specimens, bracelets were worn in the Yakima area. At the wrist is a slight horizontal incision, where the hand expands somewhat sidewise. The fingers and thumb are separated by four vertical incisions. Below these and extending across the body are four horizontal lines, the space between the two in the middle being slightly wider than the other two spaces. These lines seem to indicate the upper edge of an apron which is covered by vertical hachure.

The legs begin at the bottom of the apron from which they are set off by two horizontal incisions. The apron at the outline of the object projects slightly beyond them. On each leg are five incised isosceles triangles,—three at the top and two at the bottom, with their long points extending towards the knees. At each side of the lower triangles is one line which seems to represent a continuation of the designs around the legs. On each triangle are horizontal hachure. On both knees are faint traces of two concentric incisions, forming figures with rounded corners and bulging sides. Between these are radiating hachure. Close inside is a concentric incised line and there may be seen two parallel lines, nearly horizontal, above the right knee and one below it, and one above the left knee. The triangles may be considered as pointing from these concentric designs rather than towards them, and in that case the lines, suggesting the continuation of the design around the leg, appear at the top instead of the bottom. It does not seem probable that these triangles represent part of a circular design radiating from the knees, the sides of which are folded around the legs, but rather that the two series of triangles extend horizontally. The incisions on the legs probably represent painting or tattooing, since the designs seem to be horizontal and to extend all around the legs, while on leggings the patterns are usually vertical and on a flap at the outer side of the leg, the knee being disregarded. Catlin[295] figures paintings on the arms and legs of the Mandan similar to the patterns on this carving. The custom is not rare, especially in connection with elaborate ceremonial costumes such as are no doubt represented by this figure. The vertical incisions on the feet probably represent the toes, or designs painted or tattooed on the feet. These lines argue against any idea that the feet are encased in moccasins, unless bead or quill work on, or improbable wrinkles in, the moccasins are indicated by them. Porcupine quills, embroidery, beadwork and painting on moccasins were used in the general plateau region of which this is a part.[296]