Her faithlessness, gross as it was, received further aggravation from the insolent openness in which it manifested itself. She received men of the most disreputable character at her house, caring naught whether her husband knew or not; and she polluted the morals of his boy pupils. Her children she neglected and put into a convent, one for eleven years, and the other for twelve. "It is a year and seven days since mamma saw us," said one of the girls sadly one day, when their father had gone to visit them.
Many a time Greuze went in bodily fear of her violence. When she asked for the help of a servant, and Greuze suggested that she should wait a little longer, until he could pay the wages of one, she dealt him, with all her might, a blow upon his face. She squandered in all manner of foolish extravagance the large fortune which Greuze received from the sale of the engravings from his works; and then she destroyed his account books, that the extent of her defalcations might never be known. Her household duties were abandoned, and Greuze nearly died when one day he warmed for himself some food in a saucepan in which verdigris had been suffered to accumulate.
At last her violence, her rank immorality, her extravagance and her neglect could be borne no longer, and in despair Greuze obtained from the magistrates the legal right to live apart from his wife.
PERSONAL CHARACTERISTICS
The sadness of the story of Greuze's married life is all the more touching because he had the qualities of a true and tender husband. It is indeed not less than a tragedy that, constituted as he was, he should have been denied the companionship of a woman worthy of the great affection of which his nature was capable. Often querulous and brusque with men, his manner with women was gracious and respectful, his politeness the true politeness of the kind heart that desires the well-being of others. As we have seen, his relations with Lætitia were governed by a most chivalrous ideal of conduct, an ideal which seems quite quixotic when we think of the period in which he lived. As Lætitia had been attracted towards him, so also were most of the women who moved in his social sphere; and, eager as he was for praise from men, it came with added sweetness from the lips of women. It is not surprising that he painted women with such perfect charm, because his heart was in the work.
Greuze, though only of middle height, had yet an impressive personality; and people of any discernment saw at a glance that he was a man of distinction. His head was well formed, his forehead high, his eyes large and bright, and of a good shape, and his features indicated genius, candour, and an energetic will.
His conversation was sincere and elevated, and often piquant and animated. He sometimes showed signs of nervousness and irritability, and became quite fiery when his work was criticised, or when he thought he was not receiving the treatment which his vanity prompted him to think he ought to receive.
This self-esteem, always abnormal, had been increased by his early success with Un Père de Famille qui lit la Bible à ses Enfants. "Our painter is a little vain," wrote Diderot in 1765, "but his vanity is that of a child;" and it was generally recognised that there was very much of naïveté in his conceit, and that his good qualities compensated for any displays of childish self-sufficiency.
At times his talk became inflated and bombastic. "Oh, sir!" he would say, concerning his own picture, "here is a work which astonishes even me who painted it. I cannot understand how a man can, with a few pounded earths, animate a canvas in this way," and no ridicule could cure him of this flamboyant manner.