A lily stalk his graceful limbs, sustain’d
Round his smooth neck an ivory horn was chain’d
Yet lovely as he was on all around
Strange horror stole, for stern the fairy frown’d.[335]
It is not unlikely that the Princess Kenna was Ken new or the Crescent Moon, and the consociation at Kensington of Kenna with Oberon, permits not only the connotation of Oberon with his Fay mother Morgana, but also permits the supposition that Cuneval, the parent of Rialobran, was either Cune strong or valiant. It is obvious that the most valiant and most valorous would inevitably become rulers, whence perhaps why in Celtic bren became a generic term for prince: the words bren and prince are radically the same, and stand in the same relation to one another as St. Bron to his variant St. Piran.
Oberon or Obreon, the leader of the Brownies, Elves, or Alpes, may I think be further traced in Cornwall at Carn Galva, for this Carn of Galva, Mighty Elf or Alva, was, it is said, once the seat of a benignant giant named Holiburn. The existence of Alva or Ellie-stones is implied by the fairly common surnames Alvastone, Allistone, and Ellistone, and it is probable that Livingstone was originally the same name as Elphinstone.
From the Aubry, Obrean, Peron stones, or Brownlows were probably promulgated the celebrated Brehon laws:[336] as is well known the primitive Prince or Baron sat or stood in the centre of his barrow, burra, or bury, and ranged around him each at his particular stone stood the subordinate peers, brehons (lawyers), and barons of the realm. A peer means an equal, and it is therefore quite likely that the Prestons of Britain mark circles where the village peers held their parish or parochial meetings.
With the English Preston the Rev. J. B. Johnston connotes Presteign, and he adds: “In Welsh Presteign is Llanandras, or Church of St. Andrews”.[337] This illuminating fact enables us to connect the Perry stones with the cross of St. Andrew or Ancient Troy, and as Troy was an offshoot of Khandia we may reasonably accept Crete as the starting-point of Aubrey’s worldwide tours. That Candia was the home of the gentle magna mater is implied by the ubiquitous dove: in Hibernia the name Caindea is translated as being Gaelic for gentle goddess, and we shall later connect this lady with “Kate Kennedy,” whose festival is still commemorated at St. Andrews.
To the East of Cape Khondhro in Crete, and directly opposite the town of Candia or Herakleion, lies the islet of Dhia: in Celtic dia, dieu, or duw meant God,[338] and as in Celtic Hugh meant mind, we may translate dieu as having primarily implied good Hu, the good Mind or Brain. In a personal sense the Brain is the Lord of Wits, whence perhaps why Obreon—as Keightley spells Oberon—was said to be the Emperor of Fairyland, attended by a court and special courtiers, among whom are mentioned Perriwiggen, Perriwinkle, and Puck.
At the south-eastern extremity of Dhia is a colossal spike, peak, or pier, entitled Cape Apiri, and we may connote Apiri with the Iberian town named Ipareo. The coinage of Ipareo pourtrays “a sphinx walking to the left,” at other times it depicted the Trinacria or walking legs of Sicily and the Isle of Man. The Three Legs of Sicily were represented with the face of Apollo, as the hub or bogel, and the ancient name of Sicily was Hypereia. On the Feast Day of the Assumption of the Blessed Virgin Mary, the Sicilians or Hypereians hold what they still term the “Festival of the Bara”. An immense machine of about 50 feet high is constructed, designing to represent heaven; and in the midst is placed a young female personating the Virgin, with an image of Jesus on her right hand; round the Virgin twelve little children turn vertically, representing so many seraphim, and below them twelve more children turn horizontally, as cherubim; lower down in the machine a sun turns vertically, with a child at the extremity of each of the four principal radii of his circle, who ascend and descend with his rotation, yet always in an erect posture; and still lower, reaching within about 7 feet of the ground, are placed twelve boys who turn horizontally without intermission around the principal figure, designing thereby to exhibit the twelve apostles, who were collected from all corners of the earth, to be present at the decease of the Virgin, and witness her miraculous assumption. This huge machine is drawn about the principal streets by sturdy monks, and it is regarded as a particular favour to any family to admit their children in this divine exhibition, although the poor infants themselves do not seem long to enjoy the honours they receive as seraphim, cherubim, and apostles; the constant twirling they receive in the air making some of them fall asleep, many of them sick, and others more grievously ill.[339]