This description would seem to have been derived from some ancient picture in which the Papa was represented either as a fluttering or chanting cock, or as cockheaded. Such representations were common among the Gnostics, and the legend, papa-pater-patrum, Father, Father of Fathers, is curiously suggestive of Barbara or Varvary: in the Gnostic emblem here reproduced is the counterpart to the cock-headed deity, and the reverse is obviously Vera, Una, or the naked Truth.
Gretchen, the German for Margaret, being Great Jane, will account for Pope Joan, and Gerberta, another of her names is radically Berta: Bertha, or Peratha, among the Germans is equated with Perchta, and translated “Bright One,” or the “Shining One”: the same roots are found in St. Cuthbert, or Cudbright as he becomes in Kirkcudbrightshire.
The child of Papesse Jeanne, Gerberta, Hagnes or Jutt was deemed to be Antichrist: according to other accounts the mother of the feared and anticipated Antichrist was a very aged woman, of race unknown, called Fort Juda. Fort Juda was probably Strong Judy, Judy, the wife of Punch, being evidently a form of the very aged wife of Pan, the goat-headed symbol of Gott.[373] As Peter was the Janitor of the Gate, so Kate or Ked was similarly connected with the Gate which is the same word as Gott or Goat: the Gnostic God here represented is a seven-goat solar wheel.
The horns and head of the goat still figure in representations of Old Nick, and there is no doubt that the horns of the crescent moon, under the form of Io, the heifer, were particularly worshipped at Byzantium: this City of the Golden Horn, now known as Constantinople, to which it will be remembered the British Chronicles assign our origin, was founded by a colony of Greeks from Megara, and in Scandinavia it is still known as Megalopolis, or the City of Michael; its ancient name Byzantium will probably prove to have been connected with byzan or bosen, the bosses or paps, and Pera, the Christian district which borders the Bosphorus, may be connoted with Epeur.
Fig. 200, reproduced from a Byzantine bronze pound weight, is supposed to represent “two military saints,” but it more probably portrays the celestial pair, Micah and Maggie. Their bucklers are designed in the form of marguerites or marigolds; the A under the right hand figure is Alpha, whence we may perhaps equate this saint with Alpha, the consort of Noah. The spear-head under the other Invictus is the “Broad” arrow of Britain, and the meaning of this spear-head or arrow of Broad will be subsequently considered. It will be noticed that the stars which form the background are the triple dots, and the five-fruited tree is in all probability the Tree of Alpha, Aleph, or Life. Why five was identified with vif or vive, i.e., life, I am unable to surmise, but that it was thus connected will become apparent as we proceed.
Fig. 200.—From the British Museum’s Guide to Early Christian and Byzantine Antiquities.