DR. L.P. JACKS
As an excellent amateur huntsman once said to me, "If you must cast, lead the hounds into the belief that they are doing it themselves."—JOHN ANDREW DOYLE.
One of the great ladies of Oxford was telling me the other day that she remembers a time when friends of hers refused, even with averted eyes and a bottle of smelling salts at the nose, to go down the road where Mansfield College had presumed to raise its red walls of Nonconformity.
To-day Manchester College, the seat of Unitarianism, stands on this same dissenting road, and thither the ladies of Oxford go up in great numbers to listen to the beautiful music which distinguishes the chapel service, the chapel itself already beautiful enough with windows by Burne-Jones.
On the altar-cloth of this chapel are embroidered the words, GOD IS LOVE. No tables of stone flank that gentle altar, and no panelled creeds on the walls challenge the visitor to define his definitions. The atmosphere of the place is worship. The greatest of all Christ's affirmations is reckoned enough. God is love. No need, then, to add—Therefore with Angels, and Archangels, and all the Company of Heaven . . .
The Principal of Manchester College is Dr. L.P. Jacks, the Editor of The Hibbert Journal, the biographer of Stopford Brooke and Charles Hargrove, author of Mad Shepherds, Legends of Smokeover, and other books which have won the affection of many readers and the praise of no few scholars. He is a man of letters, a man of nature, and a mystic.
His face bears a strange resemblance to the unforgettable face of that great Unitarian, James Martineau, whom Morley calls "the most brilliant English apologist of our day"; it lacks the marvellous sweetness of Martineau's expression, but has a greater strength; it does not bear witness to so sure a triumph of serenity, but shows the marks of a fiercer battle, and the scars of deeper wounds. It is the masculine of the other's feminine.
Like Martineau's the head with its crown of white hair is nobly sculptured, and like Martineau's the ivory coloured face is ploughed up and furrowed by mental strife; but whereas Martineau's is eminently the indoors face of a student, this is the face of a man who has lived out of doors, a mountaineer and a seafarer. Under the dense bone of the forehead which overhangs them like the eave of a roof, the pale blue eyes look out at you with a deep inner radiance of the spirit, but from the midst of a face which has been stricken and has winced.
Something of the resolution, the deliberateness, the stern power, and the enduring strength of his spirit shows itself, I think, in the short thickset body, with its heavy shoulders, its deep chest, its broad firm upright neck, and its slow movements, the movements as it were of a peasant. Always there is about him the feeling of the fields, the sense of nature's presence in his life, the atmosphere of distances. Nothing in his appearance suggests either the smear or the burnish of a town existence.
It is not without significance that he has gone farther afield from Oxford City than any other of its academic citizens, building for himself a home on a hill two miles and more from Magdalen Bridge, with a garden about it kept largely wild, and seats placed where the eye can travel farthest.