"And after that," says Miss Stipp, getting up and resting her hands on the pail of dirty water, and looking down into it as if she saw the faces of her poor mother, her sister, and all the dead babies of the other sister shining up at her from the muddy bottom, "I came on the parish, and I've been on it ever since, and nice kind gentlemen they are, and I couldn't be treated better."
"People are kind to you?" I inquire.
"Very kind to me they are," she answers. "I often get a shillin' given to me in the street, and the other evenin' a lady in the Boro'—nicely dressed, she was, in black—asked me if I wouldn't like a New Testament, and I said, 'Yuss, I would,' and she give me one; and I told her that I was converted, not when I was born, but when I was confirmed in St. George's Church; and the bishop gave us a beautiful address he did, and I felt werry much better when he laid his hands on my head, and after he give us the blessin'. If my hands wasn't so black, I'd show you the cards and things. I've kep 'em ever since—yuss. I've still got 'The Vow Performed,' or whatever it is called. The wicked woman downstairs, she hasn't taken that. Oh, a wicked woman she is, a very wicked woman; but I'll have the law on her. Ah!"
* * * * *
I ask her if—what with the cat and the woman downstairs, and all her relatives in heaven—she does not sometimes sigh for the next world.
"I'll be ready when my time comes," she replies confidently, and with rather a sly grin, "but I'm werry well content to stay where I am till I'm called, I am. I don't complain of nothink, I don't, excep' this beastly winder-pane which lets the draught in somethink cruel, it does, enough it is to blow me out of bed; and that awful devil of a woman downstairs; and the crossin' at the Elephant and Castle, which tries my nerves dreadful it does, and oughter be put a stop to, for it ain't safe for nobody, let alone a cripple. Then there's the children," she cries fiercely. "Oh, they are dreadful! You never heard sich language. Foul-mouthed!—oh, it's awful; I never did in all my life hear sich disgustin' language. And they tease me dreadful, they do, and call after me, and follow me into shops, and throw muck at me, the dirty little blasphemin' devils."
She tells me, in conclusion, of a milliner's shop where she goes for oddments, and where the young ladies sometimes give her a bit of trimming for her bonnet. Her last action is to drop the scrubbing-brush into the pail of water, to reach out an arm, and grab with one of her claws a piece of dirty black ribbon, sticking like an old book-marker from under a pile of rubbish beside the hearth, and then to pull at the string till presently there drops upon the floor a small and battered black bonnet with another string trailing behind it in the heap of rubbish.
"There!" says Miss Stipp, holding up the fusty old bonnet, "with a bit of black velvet," she continues, studying the flat bonnet with critical eyes, "and a nob of jet, and a orstrich feather stuck into it somewhere about there, or there perhaps, it will last me many a long day yet, and always look nice and fashionable when I go for my walks about London Bridge of a evenin'."
She is still holding the bonnet when I stoop down to take my leave. The beautiful address of the bishop who confirmed her so many years ago in Little Dorrit's church is not, my life for it, half so urgent and absorbing a matter for Miss Stipp as the latest fashion.
MUSIC
[Sidenote: Samuel Johnson]