Helen of the Old House

by Harold Bell Wright

On that day when Helen had sent her servant to take them for a ride, these children of the Flats had thought that no greater happiness was possible to mere human beings. But now, as they sat with their beautiful princess lady between them on the deep-cushioned seat, and watched the familiar houses glide swiftly past, even Bobby was silent. It was all so unreal—so like a dream. Their former experience was so far surpassed that they would not have been surprised had the automobile been suddenly transformed into a magic ship of the air, with Tom a fairy pilot to carry them away up among the clouds to some wonderful sunshine castle in the sky.

It is true that Bobby's conscience stirred uneasily when he felt an arm steal gently about him and he was drawn a little closer to the princess lady's side. A feller with a proper pride does not readily permit such familiarities. It had been a long time since any one had put an arm around Bobby—he did not quite understand.

But as for that, the princess lady herself did not quite understand either. Perhaps the sight of little Maggie and her play lady friends so elegantly costumed for their social function had suddenly convinced her that these children of the Flats were of her world after all. Perhaps the shouting children had awakened memories that banished for the moment the sadness of her grown-up years. Or it may have been simply the way that wee Maggie held her battered doll. It may have been that the mother instinct of this wistful mite of humanity quickened in the heart of the young woman something that was deeper, more vital, more real to her womanhood than the things to which she had so far given herself. As the Helen of the old house had longed to cry aloud in the Mill her recognition of her man, she hungered now with a strange woman hunger for the feel of a child in her arms.

And so, with no care for her gown, which was sure to be ruined by this contact with the grime of the Flats, with no question as to what people might think, with no thought for class standards or industrial problems, the daughter of Adam Ward took the children of Sam Whaley in her arms and carried them away from the shadow of that dark cloud that hung always above the Mill. From the smoke and dust and filth of their heritage, she took them into the clean, sunny air of the hillside fields and woods. From the hovels and shanties of their familiar haunts she took them where birds made their nests and the golden bees and bright-winged butterflies were busy among their flowers. From the squalid want and cruel neglect of their poverty she took them into a fairyland that was overflowing with the riches that belong to childhood.

And then, when the sun was red above the bluff where the curving line of cliffs end at the river's edge, she brought them back.

For some reason that has never been made satisfactorily clear by the wise ones who lead the world's thinking, Bobby and Maggie must always be brought back to their home in the Flats, the princess lady must always return to her castle on the hill.

* * * * *

Charlie Martin was unusually quiet when he returned home from his work that day. The father mentioned Helen's visit to the Mill, and Mary had many questions to ask, but the soldier workman, usually so ready to talk and laugh with his sister, answered only in monosyllables or silently permitted the older man to carry the burden of the conversation.

When supper was over and it was dark, Charlie, saying that he thought he ought to attend Jake Vodell's street meeting that evening, left the house.

But Captain Charlie did not go to hear the agitator's soap-box oration that night. For an hour or more, under cover of the darkness, the workman sat on the porch of the old house next door to his home.