Adam Ward leaned closer to his son and with an air of secrecy whispered, "That's exactly what I've done, John—I've worked out a scheme to tie God up in a contract that will force Him to save me. The old Interpreter gave me the idea. You see if it should turn out that there is no hell my plan can't do any harm and if there is a hell it makes me safe anyway."

He chuckled with insane satisfaction. "They say that God knows everything—that nobody can figure out a way to beat Him, but I have—I have worked out a deal with God that is bound to give me the best of it. I've got Him tied up so tight that He'll be bound to save me. Some people think I'm crazy, but you wait, my boy—they'll find out how crazy I am. They'll never get me into hell. I have been figuring on this ever since the Interpreter told me I had better make a contract with God. And after Pete left this morning I got it all settled. A man can't afford to take any chances with God and so I made this deal with Him. Hell or no hell, I'm safe. God don't get the best of me,—And you are safe, too, son, with the new process, if you look after your own interests, as I have done, and don't overlook any opportunities. I wanted to tell you about this so you wouldn't worry about me. I'll go back to bed now. Don't tell mother and Helen what we have been talking about. No use to worry them—they couldn't understand anyway. And don't forget, John, what Pete told me about Mary. Their scheme won't work of course. I know you are too smart for them. But just the same you've got to be on your guard against her all the time. Never take any unnecessary chances. Don't talk over a deal with a man when any one can hear. If you are careful to have no witnesses when you arrange a deal you are absolutely safe. It is what you can slip into the written contract that counts—once you get your man's signature. That's always been my way. And now I have even put one over on God."

He stole cautiously out of the room and back to his own apartment.

Outside his father's door John waited, listening, until he was convinced that sleep had at last come to the exhausted man.

Late that same Sunday evening, when the street meeting held by Jake Vodell was over, there was another meeting in the room back of the pool hall. The men who sat around that table with the agitator were not criminals—they were workmen. Sam Whaley and two others were men with families. They were all American citizens, but they were under the spell of their leader's power. They had been prepared for that leadership by the industrial policies of McIver and Adam Ward.

This meeting of that inner circle was in no way authorized by the unions. The things they said Sam Whaley would not have dared to say openly in the Mill workers' organization. The plans they proposed to carry out in the name of the unions they were compelled to make in secret. In their mad, fanatical acceptance of the dreams that Vodell wrought for them; in their blind obedience to the leadership he had so cleverly established; in their reckless disregard of the consequences under the spell of his promised protection, they were as insane, in fact, as the owner of the Mill himself.

The supreme, incredible, pitiful tragedy of it all was this: That these workmen committed themselves to the plans of Jake Vodell in the name of their country's workmen.

CHAPTER XXIV

THE FLATS

Helen Ward knew that she could not put off much longer giving McIver a definite answer. When she was with him, the things that so disturbed her mind and heart were less real—she was able to see things clearly from the point of view to which she had been trained. Her father's mental condition was nothing more than a nervous trouble resulting from overwork—John's ideals were highly creditable to his heart and she loved him dearly for them, but they were wholly impossible in a world where certain class standards must be maintained—the Mill took again its old vague, indefinite place in her life—the workman Charlie Martin must live only in her girlhood memories, those secretly sad memories that can have no part in the grown-up present and must not be permitted to enter into one's consideration of the future. In short, the presence of McIver always banished effectually the Helen of the old house: with him the daughter of Adam Ward was herself.