"Case? Oh you mean de po'r gal what tried to kill herse'f. Yes, Miss, I sho can. Yo' see hit's dis away. Hit's dat po'r Conner gal, her whose Daddy done killed Jack Mulhall, de town marshal yo' know. De Conners used to be nice folks, all 'ceptin' Jim. He drink a little sometimes, an' den he was plumb bad. Seems lak he got worse dat way. An' since dey took him off an' Mrs. Conner died de gal, she don't git 'long somehow. Since she left de hotel she's been livin' over in Old Town along some colored folks, upstairs in de old town-hall building. I knows 'bout hit 'y see, coz Liz an' me we all got friends, Jake Smith an' his folks, livin' in de same buildin', yo see. Wal, lately de gal don't 'pear to be doin' even as well as usual, an' de folks dey got plumb scared she ac' so queer like. Sometime in de night, Jake an' Mandy dey waked up hearin' a moanin' an' a cryin' in de po'r gal's room. Dey call at de door but dey ain't no answer an' so dey stan 'round for 'while 'thout knowin' what to do, till de cryin' an' screechin' gits worse, an' things 'pears to be smashin' round lak. Den Mandy say to de folks what's been waked up an' is standin' 'round de door she ain't goin' to stan dare doin' nothin' no mo', an' she fo'ce open de door an' goes in.
"Yes sah, Miss Nurse, Mandy say dat gal jest throwin' herself 'round de room an' screechin', an' Mandy grab her jest as she 'bout to jump out de winder. She won't say nothin' but how she's burnin' up an' Mandy she send Jake to me quick. I sho don' want to wake Dr. Harry, Miss coz he's done tuckered out, but I'se scared not to, coz once 'fore I didn't wake him when somebody want him an' I ain't nebber done hit no more. Go on dar, Jim. Yes sah, Mars Harry Abbott he's a debbil, Miss, when he's mad, 'deed he is, jest lak de old Mars—he's daddy. So I calls him easy-like but Lawd—he's up an' dress 'fore I can hook up big Jim here, an' we come fer Old Town on de run. Quick as he get in de room he calls out de winder fo' me to drive quick's I can to de Judge's an' fotch yo. An' dat's all I know—'ceptin' Dr. Harry say hit's a'mergency case. We most dare now. Go on Jim—go on sah!"
While the old negro was speaking the big horse was whirling them through the quiet streets of the village. As Uncle George finished they reached the top of Academy Hill, where Miss Farwell saw the old school building—ghostly and still in the mists that hung about it like a shroud, the tumble-down fence with the gap leading into the weed-grown yard, the grassy knoll and the oak—all wet and sodden now, and—below, the valley—with its homes and fields hidden in the thick fog, suggestive of hidden and mysterious depths.
"Is yo' cold, Miss? We's mos dar, now." The nurse had shivered as with a sudden chill.
Turning sharply to the north a minute later they entered the square of Old Town where a herd of lean cows were just getting up from their beds to pick a scanty breakfast from the grass that grew where once the farmer folk had tied their teams, and in front of the ruined structure that had once been the principal store of the village, a mother sow grunted to her squealing brood.
Long without touch of painter's brush, the few wretched buildings that remained were the color of the mist. To the nurse—like the fog that hid the valley—they suggested cold mysterious depths of life, untouched by any ray of promised sun. And out of that dull gray abyss a woman's voice broke sharply, on the stillness, in a scream of pain.
"Dat's her, dat's de po'r gal, now, nurse. Up dare where yo' sees dat light."
Uncle George brought the big black to a stand in front of the ancient town-hall and court-house, a two-story, frame building with the stairway on the outside. A group of negroes huddled—with awed faces—at the foot of the stairs drew back as the nurse sprang from the buggy and ran lightly up the shaky old steps. The narrow, dirty hallway was crowded with more negroes. The odor of the place was sickening.
Miss Farwell pushed her way through and entered the room where Dr. Harry, assisted by a big black woman, was holding his struggling patient on the bed. The walls and ceiling of the room—stained by the accumulated smoke of years, the rough bare floor, the window—without shade or curtain, the only furniture—a rude table and a chair or two, a little stove set on broken bricks, a handful of battered dishes and cooking utensils, a trunk, and the bed with its ragged quilts and comforts, all cried aloud the old, old familiar cry of bitter poverty.
Dr. Harry glanced up as the nurse entered.