At that instant, the convict and Sibyl Andrés reached the cliff. With a cry of horror, the girl stood as though turned to stone.
Motionless, without a word, the convict watched the struggling men.
With a sob, the girl stretched forth her hands. In a low voice she called, "Aaron! Aaron! Aaron!"
The two men on the ledge heard nothing--saw nothing.
Sibyl spoke again, almost in a whisper, but her companion heard. "Mr. Marston, Mr. Marston, it is Aaron King. I--I love him--I--love him."
Without taking his eyes from the struggling men, the convict answered, "Pray, girl; pray, pray for me." As he spoke, he steadily raised his rifle to his shoulder.
Aaron King went down upon one knee. Rutlidge his legs braced, his body inclined toward the edge of the precipice, was gathering his strength for the last triumphant effort.
The convict, looking along his steady rifle barrel, was saying again, "Pray, pray for me, girl." As the words left his lips, his finger pressed the trigger, and the quiet of the hills was broken by the sharp crack of the rifle.
James Rutlidge's hold upon the artist slipped. For a fraction of a second, his form half straightened and he stood nearly erect; then, as a weed cut by the sharp scythe of a mower falls, he fell; his body whirling downward toward the trees and rocks below. The sound of the crashing branches mingled with the reverberating report of the shot. On the ledge, Aaron King lay still.
The convict dropped his rifle and ran forward. Lifting the unconscious man in his arms, he carried him a little way down the mountain, toward the cabin; where he laid him gently on the ground. To Sibyl, who hung over the artist in an agony of loving fear, he said hurriedly, "He'll be all right, presently, Miss Andrés. I'll fetch his coat and hat."