Mrs. Chudleigh gave him a direct, reproachful glance. "I know your son and that he is a good soldier, but I feel you were wrong when you sent him into the army. With training, he might have made a great artist."
Challoner regarded her with frank astonishment. "But, my dear lady, would you prefer the latter; a coverer of canvases, a mere portrayer of action instead of a doer? Is it better to paint human passions and emotions than to control and direct your own and those of others?"
"Painting is his work," Mrs. Chudleigh persisted. "He has the temperament; you can see it triumphing over circumstances. In spite of his duties, the amusements he must be expected to take part in, and, no doubt, the banter of the mess, he finds time to make these sketches. Then they exhibit more than mere skill with the brush; they show clear understanding and the power of feeling."
"The latter is a dangerous gift. A man of action is better without it."
"Your son has it, and it cannot be got rid of; but in a sense, you're right. Sensibility must be a handicap to a soldier now and then, making him realize dangers and cruelties he had better have been blind to." Mrs. Chudleigh paused and added with a thoughtful air: "Captain Challoner's courage and coolness are known, but I think they must cost him more than is required of his comrades. I mean that his having something to overcome before he can practise them, and yet always doing so, shows a fine moral fibre."
Challoner looked grave. He had suspected what he thought were symptoms of weakness in his son, though Bertram had never given way to it. His companion's talk disturbed him because it seemed to prove the correctness of his suppositions, but he was shortly relieved of her.
Margaret Keith, who had watched closely, decided that Mrs. Chudleigh had been alone with her host long enough, but for a time she could see no suitable means of separating them. By and by, however, Millicent came towards her and she beckoned the girl.
"Isn't Arrowdale near your aunts' place in the North?" she said. "There's a picture of the hills round it that I think you would like. Ask Colonel Challoner to show it you."
Millicent joined the others, and when she spoke about the picture Mrs. Chudleigh went away. She thought she had said enough, for her object had been to plant a seed of doubt about his son's character in Challoner's; mind. If he considered sensitiveness, artistic talent, and imagination failings in a Challoner, she had given him food for thought, which was as far as she wished to go just then, and on the whole she thought she had reason to be satisfied. When she had moved away, Challoner showed Millicent a picture of grey hills and a sullen tarn, half revealed between folds of rolling vapour, and the girl was stirred to keen appreciation.
"It's beautiful and full of life," she said. "One can see the mist drive by and the ripples break upon the stones. Perhaps it's because I know the tarn I like the picture so much, but it makes one realize the rugged grandeur and melancholy charm of the place. I suppose that is genius; who is the painter?"