“There she is. Who!—Miss Carrington—is there any one else to look at when she is in the room?”
Grace floated past us dressed as I had somewhere seen her before and could not recall it, though the memory puzzled me. Neither do I know what she wore, beyond that the fabric’s color was of the ruddy gold one sees among the stems of ripening grain, while wheat ears nestled between her neck and shoulder, and rustled like barley rippling to the breeze, as with the music embodied in each movement of her form she whirled by us on Ormond’s arm. He looked as he did when I last saw him, placidly good-humored, with the eyeglass dangling this time loosely by its cord.
Then I drew in my breath as the music ceased, and Raymond Lyle approached us, saying: “As usual, men are at a discount, but you have not had a dance, and most of the others have. Come, and I’ll find you partners. Ah, if you are not tired, Miss Carrington, will you take pity on an old friend of yours? I have many duties, and you will excuse me.”
He withdrew quickly, and Grace smiled. “One must never be too tired to dance with an old friend at a prairie feast,” she said, running her pencil through the initials on a program which had traveled several hundred miles from Winnipeg. Then I felt uncomfortable, for I guessed the letters R. L. represented my host, who had good-naturedly made way for me. It was a kindly thought, but Raymond Lyle, who was a confirmed bachelor living under his self-willed sister’s wing, had evidently guessed my interest and 70 remembered the incident of the jibbing team. It was a square dance, and Harry with a laughing damsel formed my vis-à-vis, but having eyes only for my partner I saw little but a moving mixture of soft colors and embroidered deerskin, for some of the men were dressed in prairie fashion. I felt her warm breath on my neck, the shapely form yielding to my arm, and it was small wonder that I lost myself in the glamour of it, until with the crash of a final chord from the piano the music stopped.
“And you have not danced for four years!” she said as I led her through the press. “Well, it has all come back to you, and out here there is so much more than dancing for a man to do. Yes, you may put down another, there toward the end, and fill in the next one two. I have been looking forward to a quiet talk with you.”
I was left alone with pulses throbbing. There was very little in what she said, but her face showed a kindly interest in our doings, and it was no small thing that the heiress of Carrington should place me on the level of an old friend. Harry was chatting merrily with his late partner, who seemed amused at him, and this was not surprising, for Harry’s honest heart was somewhat strangely united with a silver tongue, and all women took kindly to him. I found other partners and he did the same, so it was some time before we met again, and I remember remarking that all this gaiety and brightness seemed unreal after our quarters at Fairmead, and ended somewhat lamely:
“I suppose it’s out of mere pity she danced with me. As you said, we are of the soil, earthy, and a princess of the prairie is far beyond our sphere. Yet she seemed genuinely pleased to see me. If it were even you, Harry!”
He laughed as he pointed to a large mirror draped in cypress, saying, “Look into that. You are slow at understanding certain matters, Ralph. Not seen the whole of 71 your noble self in a glass for two years? Neither have I. And it hasn’t dawned upon you that you came out in the transition stage—a grub, or shall we say a chrysalis? No, don’t wrinkle your forehead; it’s only an allegory. Now you have come out of the chrysalis—see?”
Part of this was certainly true, for at Coombs’ we had the broken half of a hand-glass to make our simple toilet, and at Fairmead a whole one of some four inches diameter which cost two bits, tin-backed, at the store, and I remember saying that it was an extravagance. Now I stared into the long glass, standing erect in my one gala garment of fringed deerskin.
“A little too bull-necked,” Harry remarked smiling, “but, except for Raymond Lyle, the stiffest-framed man in the room. Solid and slow from shoulders to ankles; head—shall we say that of a gladiator, or a prize-fighter? Good gracious, Ralph, remember you’re in a ball room, not trying on your trousseau.”