"Handy with the throat!" shouted Mr. Oliver. "I don't want to leave the helm."
They slacked another rope, making the gaff sink farther down, after which they tied up about a yard of the inner bottom corner of the sail to the foot of the mast. This was comparatively easy, but it was different when, standing in the water on the lee deck, they grabbed the tackle beneath the boom and endeavored to pull the leach, or outer edge, of the mainsail down. It would not come, and the heavy spar struck them as it jerked in board, flinging Frank off into the well.
"Get another pull on your topping lift," ordered Mr. Oliver.
They jumped forward to do it, but it proved no easy task, for they had to raise the outer end of the heavy boom. They were struggling with the tackle again when Mr. Oliver laid both hands on the rope.
"Now," he shouted, "heave, and bowse her down!"
They succeeded this time, and afterward hung out over the water while they knotted the reef-points beneath the spar. Then when they had trimmed the jib over Mr. Oliver put up his helm and the sloop drove on again into the darkness with shortened sail.
The boys sat down as far under the side deck as they could get, out of the worst of the spray, with the dog crouching in the water which washed about the floorings at their feet.
"Why didn't your father help us more than he did?" Frank asked presently.
"He couldn't leave the tiller for more than a moment or two," said Harry. "When Jake and I reefed her the day we took you off the steamer there wasn't as much wind. Of course, there are boats in which you can lash the helm, but that's not always possible. If dad had let go the tiller she'd have fallen off and started sailing, which would have dragged the tackle from our hands or pitched us in, and then she'd have come up again banging and shaking. He kept her heading so that the mainsail was lifting slack with no weight in it."
Frank was commencing to realize that the handling of a sailboat was rather a fine art. It is as much of a machine as a steamer, but it is also of the kind whose efficiency depends directly upon the human eye, hand and brain. Man has evolved a number of such instruments, and in the right hands they are far more wonderful than the others. Any one, for instance, can learn the pianola, but to extract fine music from a Cremona violin is a very different matter.