SCENE
The scene represents the living room of a collier’s cottage in Lanarkshire. The room has three doors, one to the right and one to the left, which lead to the sleeping rooms, and one in the centre which opens on to the village street. A fireplace with a cooking stove set in it is at the right. A holland blind is drawn down at the window, but it does not completely shut out the night, which is now dissolving into a grey, cold dawn, for the cheap German alarm clock that ticks loudly on the mantleshelf marks the hour five-thirty. When the curtain rises the room is in darkness save for the glint of bluish-grey light that shows at the window. Then Mary Brown enters from the door on the right, she strikes a match and lights a lamp, when you see she is a girl of about twenty; she does not look her best, her hair has been hurriedly screwed up, her print blouse, murky with toil, has not yet been fastened, she wears a draggle-tailed skirt of sombre colour and list slippers are on her feet.
A small spirit-lamp is on the hob and a little tin kettle near by; she lights the lamp, puts the kettle on it, then crosses to the door on the left and knocks.
MARY
Are ye up, Jock?
JOCK
(within)
Aw richt, A’ll be there in a meenit.
Mary takes a plain and fairly clean apron from a hook by the dresser and puts it on briskly; she then takes a cup and saucer from the rack, putting them on the dresser, from the cupboard of which she takes a cocoa-tin and puts a spoonful of cocoa in the cup. Then she takes bread and meat from the cupboard and makes a couple of huge sandwiches. These she puts on a tin plate, and covering them with another tin plate, she ties the whole in a large red handkerchief with the ends looped for carrying. A tin can with a screw top is placed near by. Then, from the door at the left, enters Jock Brown, Mary’s cousin.