The Architecture of Colonial America

by Harold Donaldson Eberlein

Surveying thus the history of architecture in America, from the beginning of the Colonial period down to the end of post-Colonial activity, a continuous and logical process of development can be traced of which each succeeding phase was a faithful exponent of contemporary local manners and modes of life. Truly indigenous architecture was non-existent. Architectural derivations, modified and often obscured as they were by force of circumstances, are not always obvious and occasionally, in order to detect them, careful analysis and some knowledge of history are necessary. Nor need the student of American architecture be perplexed at discovering certain hybrid types. It is but natural that such should be evolved by a resourceful people with a genius for adaptations and possessed of a variety of models, a combination of whose features expediency suggested. In spite of all the bewildering multiplicity of manifestations which the architecture of Colonial America affords, the derivations from hereditary European sources may be identified by the expenditure of a little effort and the threads of continuity and growth then become clearly apparent. A detailed elucidation of the genesis and progressive stages of the several types will be the content of the ensuing chapters.

CHAPTER II
THE DUTCH COLONIAL TYPE
1613-1820

THE Dutch Colonial house is at once a mystery and a paradox. It is a mystery because it seems to defy the law of physics about two bodies occupying the same space at the same time. It is a paradox because, despite its apparent simplicity, it is most complex in its texture and varied in its modes and expression.

We have all heard it said of the Dutchman’s breeches that they could be made to contain whatever objects could be forced through the pocket apertures, and the number of things that the Dutchman could stow away in the baggy recesses of his nether garments has always been a source of wonder to the foreigner. It is precisely the same with his house. It really seems to be elastic. Viewed from the outside, it gives the observer the impression that its extent is small and that the space within must necessarily be limited. On stepping across the threshhold, however, a surprise awaits one. Room seems to open out from room in a miraculous manner, and there is apparently no end to the space that can be made within the four walls. At times, baffling despair fills the mind at the attempt to master the anatomical intricacies of the Dutch abode. The early Dutch house is practically all upon the ground floor, but the attic, occasionally, is almost as complex in its mysterious arrangement. The Dutchmen and their wives were past masters in ordering the economy of space. The bulk of household gear they could stow away in compact style always excites our wondering admiration. Perhaps their familiarity with canal boat life, and the attendant necessity of compressing their belongings within strait limits, suggested many of their household arrangements. At any rate, the Dutch houses are a standing example showing how much can be done within closely restricted bounds.

The Dutch house in America is to be found in the valley of the Hudson, in Long Island, and in the counties of northern New Jersey, particularly Bergen and Essex, settled at an early period by the Dutch. The purest forms of the early type are to be found along the Hudson. In Long Island, certain modifying influences began to work at an early time and in portions of Long Island, especially in the neighbourhood of Hempstead and towards the Eastern end of the Island, where settlements were made about the middle of the seventeenth century by New England colonists, we find a curious combination of Dutch and English characteristics in the local architecture. In northern New Jersey, while the type is thoroughly Dutch, the majority of houses are of a somewhat later date than those along the Hudson and exhibit features not to be found in the houses erected by the first colonists of New Netherlands.

Notwithstanding certain minor differences that will be brought to our notice by comparison, there is an unquestionable continuity of type that differentiates the houses of Dutch architecture from all the other structural creations of the American colonists. The style of the first Dutch houses contained within itself the seeds of development, and while the earliest expression of Dutch Colonial architecture was practically the same as that in vogue in Holland at the time of the colonists’ emigration, the later examples disclosed new features which local necessity and native ingenuity had suggested and achieved. By this very flexibility and elasticity the Dutch colonial style has shown its adaptability to varying conditions, and in that adaptability lies no small share of its fitness as a resource for present-day needs.

Old Hurley near Kingston-on-Hudson—to

VAN DEUSEN HOUSE, OLD HURLEY, N. Y.