Miss Julia put this last so delicately, and with such a pretty little arch nod of the head and turn of the eyes, that Newton Shull surrendered at discretion. He promised everything on the spot, and he kept his word. In fact, he more than kept it.
The great evening came, as I have said, and when the lights were turned down to extinction's verge those who were nearest the front could distinguish the vacant chair which Mr. Shull had been occupying, with his bass viol leaning against it. They whispered from one to another that he had gone up in the gallery to work this new-fangled contrivance. Then came a flashing broad disk of light on the screen above the judges' bench, a spreading sibilant murmur of interest, and the show began.
It was an oddly limited collection of pictures—mainly thin and feeble copies of newspaper engravings, photographic portraits, and ideal heads from the magazines. Winfield Scott followed in the wake of Kossuth, and Garibaldi led the way for John C. Frémont and Lola Montez. There was applause for the long, homely, familiar face of Lincoln, and a derisive snicker for the likeness of Jeff Davis turned upside down. Then came local heroes from the district round about—Gen. Boyce, Col. McIntyre, and young Adjt. Heron, who had died so bravely at Ball's Bluff—mixed with some landscapes and statuary, and a comic caricature or two. The rapt assemblage murmured its recognitions, sighed its deeper emotions, chuckled over the funny plates—deeming it all a most delightful entertainment. From time to time there were long hitches, marked by a curious spluttering noise above, and the abortive flashes of meaningless light on the screen, and the explanation was passed about in undertones that Mr. Shull was having difficulties with the machine.
It was after the longest of these delays that, all at once, an extremely vivid picture was jerked suddenly upon the canvas, and, after a few preliminary twitches, settled in place to stare us out of countenance. There was no room for mistake. It was the portrait of Miss Julia Parmalee standing proudly erect in statuesque posture, with one hand resting on the back of a chair, and seated in this chair was Lieut. Dwight Ransom, smiling amiably.
There was a moment's deadly hush, while we gazed at this unlooked-for apparition. It seemed, upon examination, as if there was a certain irony in the Lieutenant's grin. Someone in the darkness emitted an abrupt snort of amusement, and a general titter arose, hung in the air for an awkward instant, and then was drowned by a generous burst of applause. While the people were still clapping their hands the picture was withdrawn from the screen, and we heard Newton Shull call down from his perch in the gallery:
"You kin turn up the lights now. They ain't no more to this."
In another minute we were sitting once again in the broad glare of the gaslight, blinking confusedly at one another, and with a dazed consciousness that something rather embarrassing had happened. The boldest of us began to steal glances across to where Miss Parmalee and Marsena sat, just in front of the steps to the bench.
What Miss Julia felt was beyond guessing, but there she was, at any rate, bending over and talking vivaciously, all smiles and collected nerves, to a lady two seats removed. But Marsena displayed no such presence of mind. He sat bolt upright, with an extraordinarily white face and a drooping jaw, staring fixedly at the empty canvas on the wall before him. Such absolute astonishment was never depicted on human visage before.
Perhaps from native inability to mind his own business, perhaps with a kindly view of saving an anxious situation, the Baptist minister rose now to his feet, coughed loudly to secure attention, and began some florid remarks about the success of the fair, the especial beauty of the lantern exhibition they had just witnessed, and the felicitous way in which it had terminated with a portrait of the beautiful and distinguished young lady to whose genius and unwearying efforts they were all so deeply indebted. In these times of national travail and distress, he said, there was a peculiar satisfaction in seeing her portrait accompanied by that of one of the courageous and noble young men who had sprung to the defence of their country. The poet had averred, he continued, that none but the brave deserved the fair, and so on, and so on.