And second, he was far from being in a Romeo’s condition of heart and mind. He was not in love with Annie for herself—much less for the Warren farm. To state plainly what Seth had not yet mustered courage to say in entire frankness even to himself, he hated farming, and rebelled against the idea of following in his father’s footsteps. And the dreams of a career elsewhere which occupied the mutinous thoughts Seth concealed under so passive an exterior had carried him far away from the plan of an alliance with the nice sort of country cousin who would eventually own the adjoining farm. So in this sense, too, his mothers dying words were a surprise—converting into a definite and almost sacred desire what he had supposed to be merely a shapeless fancy.
Not all this crossed his mind, as he watched Annie till she disappeared, and then turned back to his work. But the sight of her had been pleasant to him, and her voice had sounded very gentle and yet full of the substance of womanliness—and perhaps his poor, dear mother’s plan for him, after all, was the best.
The gate swinging properly at last, there was an end to Seth’s out-door tasks, and he started toward the house. The thought that he would see Annie within was distinct enough in his mind, almost, to constitute a motive for his going. At the very door he encountered his brother Albert’s wife, coming out, and stopped.
Isabel Fairchild was far from deserving, at least as a woman, the epithets with which Aunt Sabrina mentally coupled her girlhood. There was nothing impertinent or ill-behaved about her appearance, certainly, as she stood before Seth, and with a faint smile bade him good-morning.
She was above the medium height, as woman’s stature goes, and almost plump; her hair, much of which was shown in front by the pretty Parisian form of straw hat she wore, was very light in color; her eyes were blue, a light, noticeable blue. She wore some loose kind of black and gray morning dress, with an extra fold falling in graceful lines from her shoulders to her train, like a toga, and she carried a dainty parasol, also of black and gray, like the ribbons on her dark hat. To Seth’s eyes she had seemed yesterday, when he saw her for the first time, a very embodiment of the luxury, beauty, refinement of city life—and how much more so now, when her dingy traveling raiment had given place to this most engaging garb, so subdued, yet so lovely. It seemed to him that his sister-in-law was quite the most attractive woman he had ever seen.
“I thought of going for a little stroll,” she said, again with the faint, half-smile. “It is so charming outside, and so blue and depressing in the house. Can I walk along there through the orchard now?—I used to when I was here as a girl, I know—and won’t you come with me? I’ve scarcely had a chance for a word with you since we came.”
The invitation was pleasant enough to Seth, but he looked down deprecatingly at his rough chore clothes, and wondered whether he ought to accept it or not.
“Why, Seth, the idea of standing on ceremony with me! As if we hadn’t played together here as children—to say nothing of my being your sister now!”
They had started now toward the orchard, and she continued:—
“Do you know, it seems as if I didn’t know anybody here but you—and even you almost make a stranger out of me. Poor Uncle Lemuel, he is so broken-down that he scarcely remembers me, and of course your Aunt and I couldn’t be expected to get very intimate—you remember our dispute? Then John, he’s very pleasant, and all that, but he isn’t at all like the John I used to look up to so, the summer I was here. But you—you have hardly changed a bit. Of course,” she made haste to add, for Seth’s face did not reflect unalloyed gratification at this, “you have grown manly and big, and all that, but you haven’t changed in your expression or manner. It’s almost ten years—and I should have known you anywhere. But John has changed—he’s more like a city man, or rather a villager, a compromise between city and country.”