“’N’ more’s th’ pity, tew. He’d make yeh toe th’ mark!”

“Yes, ’n’ Sabriny’d make it lively fer his wife, tew. Th’ ole fight ’baout th’ Fairchileses ’n’ th’ Richardsons wouldn’t be a succumstance to thet. Sissly’d thank her stars thet she was dead ’n’ buried aout o’ th’ way.”

These two hired people, who discussed their employer and his family with that easy familiarity of Christian names to be found only in Russia and rural America, knew very well what portended to the house when the Richardson subject came up. Alvira Roberts had spent more than twenty years of her life in the thick of the gaseous strife between Fairchild and Richardson. She was a mere slip of a girl, barely thirteen, when she had first hired out at the homestead, and now, black-browed, sallow from much tea-drinking, and with a sharp, deep wrinkle vertically dividing her high forehead, she looked every year of her thirty-five. Compared with her, Milton Squires was a new comer on the farm, but still there were lean old cows over yonder in the barnyard, lazily waiting for the night-march to the pastures, that had been ravenous calves in their gruel-bucket stage when he came.

What these two did not know about the Fairchild family was hardly worth the knowing. Something of what they knew, the reader ought here to be told.


CHAPTER II.—THE STORY OF LEMUEL.

Lemuel Fairchild, the bowed, gray-haired, lumpish man who at this time sat in the main living room within, feebly rocking himself by the huge wood-stove, and trying vaguely as he had been for thirty-six hours past, to realize that his wife lay in her final sleep in the adjoining chamber, had forty-odd years before been as likely a young farmer as Dearborn County knew. He was fine-looking and popular in those days, and old Seth Fairchild, dying unexpectedly, had left to this elder son his whole possessions—six hundred acres of dairy and hop land, free and clear, a residence much above the average farm-house of these parts, and a tidy sum of money in the bank.

The contrast now was sweeping. The Fairchild’s house was still the largest residential structure on the Burfield road, which led from Thessaly across the hills to remote and barbarous latitudes, but respect had long since ceased to accrue to it upon the score of its size. To the local eye, it was the badge and synonym of “rack and ruin;” while sometimes strangers of artistic tastes, chancing to travel by this unfrequented road, would voice regrets that such a prospect as opened to the vision just here, with the noble range of hills behind for the first time looming in their true proportions, should be spoiled by such a gaunt, unsightly edifice, with its tumble-down surroundings, its staring windows cheaply curtained with green paper, and its cheerless, shabby color—that indescribable gray with which rain and frost and Father Time supplant unrenewed white. The garden, comprising a quarter-acre to the east of the house, was a tangled confusion of flowers and weeds and berry-bushes run wild, yet the effect somehow was mean rather than picturesque. The very grass in the yard to the west did not grow healthfully, but revealed patches of sandy barrenness, created by feet too indifferent or unruly to keep the path to the barns.

Yet the neighbors said, and Lemuel had come himself to feel, that the blame of this sad falling off was not fairly his. There had been a fatal defect in the legacy.