"Something I shall neither forget nor forgive. And if you persist in accusing me of writing that letter, I promise not to fish again while you are here." She walked toward the door, her chin held high.

"You wrote it. Come and sing. I'll say nothing more about it. There's nothing more to be said." He carelessly picked up a book and looked at the fly-leaf. "From Sister Patty to Brother John," he read. There was no mistake now. He laughed. Patty turned. "The writing is the same."

"Is it?"

"Will you sing?"

No answer.

"Please."

Patty stood between the door that led to the veranda and the door that led to the music-room—between Charybdis and Scylla, as it were, for she knew he would follow her whichever way she went. She turned into the music-room.

"Thanks," he said.

The days passed all too quickly for Warrington. He walked in the golden glow of his first romance, that romance which never leaves us till life itself departs. He spoke no word of his love, but at times there was something in his voice that thrilled Patty and subdued her elfish gaiety. Some girls would have understood at once, but Patty was different. She was happy one moment, and troubled the next, not knowing the reason. She was not analytical; there was no sophistry in her young heart. She did not dream that this man loved her; she was not vain enough for that.

John and Kate watched them approvingly. They knew the worth of the man; they were not at all worried over what was past. They saw their own romance tenderly reflected. Mrs. Bennington was utterly oblivious. Mothers never realize that their daughters and sons must some day leave them; they refuse to accept this natural law; they lament over it to-day as they lamented in the days of the Old Testament. The truth is, children are always children to the parents; paternal and maternal authority believes its right indefinite.