Half a Rogue

by Harold MacGrath

Over on Broadway a child of his fertile brain was holding the rapt attention of several hundred men and women; and across the broad land that night four other dramas were being successfully acted. People were discussing his theories, denouncing or approving his conception of life. The struggle was past, his royalties were making him rich. And here he was this night, drinking the cup of bitterness, of unhappiness, the astringent draft of things that might and should have been. The coveted grape was sour, the desired apple was withered. Those who traverse the road with Folly as boon companion find only emptiness.

And so it was with Warrington. He had once been good, wholly good and kind and wise, lofty as a rural poet who has seen nothing of life save nature's pure and visible face. In the heat of battle he had been strong, but success had subtly eaten into the fibers and loosed his hold, and had swept him onward into that whirlpool out of which no man emerges wholly undefiled. It takes a great and strong man to withstand success, and Warrington was only a genius. It was not from lack of will power; rather it was because he was easy-going and loved pleasure for its own sake. He had fought and starved, and now for the jingle of the guinea in his pocket and the junkets of the gay! The prodigality of these creative beings is not fully understood by the laity, else they would forgive more readily the transgressions. Besides, the harbor of family ties is a man's moral bulwark; and Warrington drifted hither and thither with no harbor in view at all.

He had been an orphan since his birth; a mother meant simply a giver of life, and a father meant, even less. Until he had read the reverse and obverse sides of life, his sense of morality had lain dormant and untilled. Such was his misfortune. The solitary relative he laid claim to was an aged aunt, his father's sister. For her he had purchased a beautiful place in the town of his birth, vaguely intending to live out his old age there.

There had been a fight for all he possessed. Good had not come easily, as it does to some particularly favored mortals. There was no family, aristocracy to back him up, no melancholy recollections of past grandeur to add the interest of romance to his endeavors. His father had been a poor man of the people, a farmer. And yet Warrington was by no means plebeian. Somewhere there was a fine strain. It had been a fierce struggle to complete a college education. In the summer-time he had turned his hand to all sorts of things to pay his winter's tuition. He had worked as clerk in summer hotels, as a surveyor's assistant in laying street-railways, he had played at private secretary, he had hawked vegetables about the streets at dawn. Happily, he had no false pride. Chance moves quite as mysteriously as the tides. On leaving college he had secured a minor position on one of the daily newspapers, and had doggedly worked his way up to the coveted position of star-reporter. Here the latent power of the story-teller, the poet and the dramatist was awakened; in any other pursuit the talent would have quietly died, as it has died in the breasts of thousands who, singularly enough, have not stood in the path of Chance.

Socially, Warrington was one of the many nobodies; and if he ever attended dinners and banquets and balls, it was in the capacity of reporter. But his cynical humor, which was manifest even in his youth, saved him the rancor and envy which is the portion of the outsider.

At length the great city called him, and the lure was strong. He answered, and the long battle was on. Sometimes he dined, sometimes he slept; for there's an old Italian saying that he who sleeps dines. He drifted from one paper to another, lived in prosperity one week and in poverty the next; haggled with pawnbrokers and landladies, and borrowed money and lent it. He never saved anything; the dreamer never does. Then one day the end came to the long lane, as it always does to those who keep on. A book was accepted and published; and then followed the first play.

By and by, when his name began to figure in the dramatic news items, and home visitors in New York returned to boast about the Warrington "first nights," the up-state city woke and began to recollect things—what promise Warrington had shown in his youth, how clever he was, and all that. Nothing succeeds like success, and nobody is so interesting as the prophet who has shaken the dust of his own country and found honor in another. Human nature can't help itself: the women talked of his plays in the reading-clubs, the men speculated on the backs of envelopes what his royalties were, and the newspaper that had given him a bread-and-butter pittance for a man's work proudly took it upon itself to say that its columns had fostered the genius in the growing. This was not because the editors were really proud of their townsman's success; rather it was because it made a neat little advertisement of their own particular foresight, such as it was. In fact, in his own town (because he had refused to live in it!) Warrington was a lion of no small dimensions.

Warrington's novel (the only one he ever wrote) was known to few. To tell the truth, the very critics that were now praising the dramatist had slashed the novelist cruelly. And thereby hangs a tale. A New York theatrical manager sent for Warrington one day and told him that he had read the book, and if the author would attempt a dramatic version, the manager would give it a fair chance. Warrington, the bitterness of failure in his soul, undertook the work, and succeeded. Praise would have made an indifferent novelist of him, for he was a born dramatist.

Regularly each year he visited his birthplace for a day or so, to pay in person his taxes. For all that he labored in New York, he still retained his right to vote in his native town.

A sudden desire seized him to-night to return to his home, to become a citizen in fact and deed. It was now the time of year when the spring torrents flood the lowlands, when the melting snows trickle down the bleak hillsides, when the dead hand of winter lies upon the bosom of awakening spring, and the seed is in travail. Heigh-ho! the world went very well in the springs of old; care was in bondage, and all the many gateways to the heart were bastioned and sentineled.