“But look!” she cried in warning.
Abbott looked.
A woman was coming serenely down the path from the wooded promontory, a woman undeniably handsome in a cedar-tinted linen dress, exquisitely fashioned, with a touch of vivid scarlet on her hat and a most tantalizing flash of scarlet ankle. It was Flora Desimone, fresh from her morning bath and a substantial breakfast. The errand that had brought her from Aix-les-Bains was confessedly a merciful one. But she possessed the dramatist’s instinct to prolong a situation. Thus, to make her act of mercy seem infinitely larger than it was, she was determined first to cast the Apple of Discord into this charming corner of Eden. The Apple of Discord, as every man knows, is the only thing a woman can throw with any accuracy.
The artist snatched up his brushes, and ruined the painting forthwith, for all time. The foreground was, in his opinion, beyond redemption; so, with a savage humor, he rapidly limned in a score of impossible trees, turned midday into sunset, with a riot of colors which would have made the Chinese New-year in Canton a drab and sober event in comparison. He hated Flora Desimone, as all Nora’s adherents most properly did, but with a hatred wholly reflective and adapted to Nora’s moods.
“You have spoiled it!” cried Celeste. She had watched the picture grow, and to see it ruthlessly destroyed this way hurt her. “How could you!”
“Worst I ever did.” He began to change the whole effect, chuckling audibly as he worked. Sunset divided honors with moonlight. It was no longer incongruous; it was ridiculous. He leaned back and laughed. “I’m going to send it to L’Asino, and call it an afterthought.”
“Give it to me.”
“What?”
“Yes.”
“Nonsense! I’m going to touch a match to it. I’ll give you that picture with the lavender in bloom.”